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The Pontifical commission for the cultural heritage of the Church
Pastoral function of ecclesiastical museums

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  • The Organization of an Ecclesiastical Museum
    • 3.1. The Site
      • 3.1.4. Display cases
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3.1.4. Display cases

The display case, besides properly preserving the objects contained in it, must also enhance the pieces on full view. Good lighting, that does not damage the colours of the artefact or distort their view, is advisable.

The shape of the container also plays a role, not only as regards the proper preservation of the artefacts, but also as regards the enjoyment of the object displayed. For this reason the objects need to be clearly identified since this aspect assumes a fundamental role in the context of museology. The captions identifying the objects should be, when possible, translated into two or three languages and written with characters that are easily legible and placed well in view.

To a brief description identifying the object that should include the title of the work, author, date, material, provenance, (and possibly inventory number) one should make available two different illustrative support tools - a printed and a computer one. The first would include references that relate each work with those in the museum and with those outside of it in the surrounding territory.

The second would include references that may deepen the knowledge of the individual works indicating the liturgical or para-liturgical destination, the significance of the name, the original spatial-temporal context, the symbolism, and eventually references to more famous objects, iconographical explanations, hagiographical notes and brief bibliographical information. All of this should favour and orient the study of the object while placing the knowledge of the artefacts exhibited in a global context.




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