Letter

  1 Introd   |          Education Sentimentale, master of his art, hardening in
  2 Introd   |          in his letters as “Dear Master.” Yet in the essentials
  3 Introd   |      nursed for eight years; her master Lamennais; her master Pierre
  4 Introd   |        her master Lamennais; her master Pierre Leroux; her father-confessor
  5 Introd   |  notebooks, amass his materials, master his subject. After Flaubert,
  6 Introd   |         injunctions of his “dear master”; but he rather resented
  7 Introd   |  ferocious assaults upon her own master passion, her ruling principle.
  8 Introd   |        seduction:~“Ah, dear good master, if you could only hate!
  9 XVII     |         a mysterious being, dear master, nonsense! I think that
 10 XX       |          you were in Paris, dear master, and I wrote you a letter
 11 XX       |    embrace you very warmly, dear master.~
 12 XXI      |           All that issues from a master is instructive, and one
 13 XXVI     |        sad, poor friend and dear master; it was you of whom I thought
 14 XXXII    |         possible, dearly beloved master.~I have reread, a propos
 15 XXXIII   |      EQUILIBRIUM; am I wrong, my master?~Consider it, for in our
 16 XXXVII   |     times. I thank you very dear master, you are as good as can
 17 XLIII    |          Saturday night~No, dear master, you are not near your end.
 18 XLV      |      followed your counsel, dear master, I have EXERCISED!!! Am
 19 XLV      |         you think (you who are a master of psychology), that one
 20 XLVII    |     thank him any the less, dear master.~First, let’s talk of you; “
 21 XLIX     |        XLIX. TO GEORGE SAND~Dear master,~You really ought to go
 22 LV       |       having news from you, dear master. What has become of you?
 23 LVII     |         mother next Monday, dear master. I have little hope of seeing
 24 LVII     |       not to live together, dear master, I admired you before I
 25 LXVI     |        LXVI. TO GEORGE SAND~Dear master,~What, no news?~But you
 26 LXVIII   |         I have news of you, dear master, and good news, which is
 27 LXVIII   |         That is why, dear adored master, I deprive myself of going
 28 LXX      |     struck me as a stroke from a master brush. In turning over the
 29 LXXI     |          1st November, 1867~Dear master,~I was as much ashamed as
 30 LXXI     |          you as I love you, dear master, that is to say, very tenderly.~
 31 LXXIII   |        SAND Wednesday night~Dear master, dear friend of the good
 32 LXXIII   |    method after all.~Adieu, dear master, write to me, won’t you?~
 33 LXXXV    |         that, I beg of you, dear master, to read at the end of his
 34 LXXXVII  |          Monday~But indeed, dear master, I was in Paris during that
 35 LXXXVIII |          the way to behave, dear master? Here it is nearly two months
 36 XCI      |          that astonish you, dear master? Oh well! it doesn’t me!
 37 XCIII    |    received your two notes, dear master. You send me “halcyon” to
 38 XCIII    |        you, very kindly, my dear master.~
 39 XCVII    |        your last letter, my dear master. You told me of the “ill
 40 XCIX     |         GEORGE SAND Tuesday~Dear master,~You cannot imagine the
 41 XCIX     |         friend Maurice? The dear master must write to me if I am
 42 C        |          love, and that you call MASTER. A fine master who likes
 43 C        |          you call MASTER. A fine master who likes to amuse himself
 44 CIV      |         2 February, 1869~My dear master,~You see in your troubadour
 45 CVII     |          do I say about it, dear master? Should one excite or repress
 46 CXIII    |        sold Palaiseau today to a master shoemaker who has a LEATHER
 47 CXXII    |         letter was yours, adored master! There is no one but you!
 48 CXXIV    |        live independently and as master of your time. Here there
 49 CXXIX    |     GEORGE SAND~Dear good adored master,~I have wanted for several
 50 CXXIX    |           I am the owner and the master of Aisse just as if I were
 51 CXXXI    |       SAND 14 October, 1869~Dear master,~No! no sacrifices! so much
 52 CXXXIV   |           All that issues from a master’s hand, and your place is
 53 CXXXV    |         TO GEORGE SAND~Dear good master,~Your old troubadour is
 54 CXXXVI   |     clock, 7 December, 1869~Dear master,~Your old troubadour is
 55 CXXXVIII |        in the evening, 1869~Dear master, good as good bread,~I have
 56 CXLV     |        Wednesday afternoon.~Dear master,~Your commission was done
 57 CXLV     | friendship blinds you, dear good master. I do not belong to the
 58 CLIV     |         SAND 17 March, 1870~Dear master,~I received a telegram yesterday
 59 CLIV     |         are told to us.~Now dear master of the good God, you must
 60 CLVIII   |     GEORGE SAND March, 1870~Dear master,~I have just sent your letter (
 61 CLX      |          a second one.~Poor dear master! How uneasy you must have
 62 CLXI     |        SAND Tuesday morning~Dear master,~It is not staying in Paris
 63 CLXII    |         no more uneasiness, dear master. But you, personally, how
 64 CLXV     |          TO GEORGE SAND~No, dear master! I am not ill, but I have
 65 CLXVI    |     Saint-Antoine.~And you, dear master, what is happening to you
 66 CLXVIII  |           2 July, 1870~Dear good master,~Barbes’ death has saddened
 67 CLXVIII  |           and I assure you, dear master, that I am brave, however,
 68 CLXX     |          has become of you, dear master, of you and yours? As for
 69 CLXXII   |          August, 1870~What! dear master, you too are demoralized,
 70 CLXXVI   |        SAND. Saturday, 1870~Dear master,~Here we are in the depths
 71 CLXXVII  |   evening~I am still alive, dear master, but I am hardly any better,
 72 CLXXVIII |    confess to you, however, dear master, that I feel rather a savage.
 73 CLXXIX   |   Tuesday, 11 October, 1870~Dear master,~Are you still living? Where
 74 CLXXXV   |      Friday, 31 March, 1871~Dear master,~Tomorrow, at last, I resign
 75 CLXXXVI  |       evening, two o’clock.~Dear master,~Why no letters? Haven’t
 76 CLXXXVIII|        of Jerome will not be our master?~For the moment Paris is
 77 CLXXXIX  |      evening, 10 June, 1871~Dear master,~I never had a greater desire
 78 CXCI     |          to come after him, dear master. I say come after, for we
 79 CXCIV    |           6 September~Well, dear master, it seems to me that you
 80 CXCV     |         delicate attention, dear master, and I thank you very much
 81 CXCV     |        but greed!~Ah! dear, good master, if you only could hate!
 82 CXCIX    |       CXCIX. TO GEORGE SAND~Dear master, I received your article
 83 CC       | criticism? Well, you are not the master in the matter of Aisse.
 84 CCI      |     GEORGE SAND~Never, dear good master, have you given such a proof
 85 CCI      |       see one! numbers! Ah! dear master, you who have so authority,
 86 CCII     |          to read it to you, dear master of the good God!~Why did
 87 CCVII    |         tears, dear well-beloved master. You are the only one who
 88 CCX      |         tell you something, dear master. I have used your name.
 89 CCXII    |          TO GEORGE SAND~No! dear master! it is not true. Bouilhet
 90 CCXIV    |         TO GEORGE SAND~Dear good master,~Can you, for le Temps,
 91 CCXVI    |        have written to you, dear master. I have so many things to
 92 CCXVI    |      allusion to you, dear, kind master.~I have met Madame Viardot
 93 CCXVIII  |     GEORGE SAND March, 1872~Dear master,~I have received the fantastic
 94 CCXVIII  |          your perspicacity, dear master! That is all.~I am uneasy
 95 CCXVIII  |          me more about you, dear master! Give me at once news of
 96 CCXX     |        am, back again here, dear master, and not very happy; my
 97 CCXXIII  |         16 April, 1872~Dear good master,~I should have answered
 98 CCXXV    |        SAND~What good news, dear master! In a month and even before
 99 CCXXVIII |      that I could give you, dear Master! Why, all the hours, now,
100 CCXXVIII |     Hoping to see you soon, dear master, your old troubadour who
101 CCXXX    |       CCXXX. TO GEORGE SAND~Dear master,~Have you promised your
102 CCXXXII  |       since Sunday evening, dear master, and no happier than at
103 CCXXXII  |         beginning with you, dear master, will repent of the support
104 CCXXXIV  |          Croisset, Thursday~Dear master,~In the letter I received
105 CCXXXVII |    CCXXXVII. TO GEORGE SAND~Dear master,~In your last letter, among
106 CCXXXIX  |       have guessed rightly, dear master, that I had an increase
107 CCXLI    |       Adieu, dear good, adorable master, yours with his best affection,~
108 CCXLIII  |     CCXLIII. TO GEORGE SAND~Dear master,~Here it is a night and
109 CCXLIII  |         So thank you, dear, good master. Yes, they were like a great
110 CCXLV    |          4th December, 1872~Dear master,~I notice a phrase in your
111 CCXLV    |          souls.~Adieu, dear good master. Your old troubadour embraces
112 CCXLVII  |          December 1872~Dear good master,~Don’t take seriously the
113 CCXLIX   |   evening, 3 February, 1873~Dear master,~Do I seem to have forgotten
114 CCLI     |     Tuesday, March 12, 1873~Dear master,~If I am not at your house,
115 CCLIII   |    Thursday, 20 March, 1873~Dear master,~The gigantic Tourgueneff
116 CCLVI    |       Croisset!~Yours, dear good master, all my affection.~Gustave
117 CCLVII   |      CCLVII. TO GEORGE SAND~Dear master,~Cruchard should have thanked
118 CCLVII   |      your pedagogic spirit, dear master, there are many pretty a
119 CCLVII   |        We shall see.~Adieu, dear master, embrace all yours for me.~
120 CCLIX    |      news of yourself, dear good master? I am cross with you, there!~
121 CCLX     |        talk a bit with you, dear master.~In the first place, congratulations
122 CCLXII   |     found your letter, dear good master. All is well with you then,
123 CCLXII   |       you were too stoical, dear master, or too indifferent. You
124 CCLXIV   |        ten days. In a word, dear master, I think now that THEY will
125 CCLXIV   |          joy about it, dear good master whom I adore and whom I
126 CCLXVI   |       little with you, dear good master! And first of all, embrace
127 CCLXVI   |          of January.~Adieu, dear master! When shall we meet? Nohant
128 CCLXVIII |         a moment to myself, dear master; now let us talk a little.~
129 CCLXIX   |        litterateur, an artist, a master; that is logical, that is
130 CCLXX    |           28 February, 1874~Dear master,~The first performance of
131 CCLXXII  |          it. Farewell, dear good master, do not pity me, for I don’
132 CCLXXIV  |       causes, I ask myself, dear master, if you are not one of them.~
133 CCLXXIV  |       Farewell, dear good adored master, friendly regards to yours.
134 CCLXXVI  |     Things are progressing, dear master, insults are accumulating!
135 CCLXXVI  |         Well! and you, dear good master, that play that they talk
136 CCLXXVIII|       26th March, 1874~Dear good master,~Here I am back again in
137 CCLXXIX  |      July, 1874~Is it true, dear master, that last week you came
138 CCLXXIX  |         of the Press, one is not master of one’s own actions. Whence
139 CCLXXXI  |      1874;~What? ill? poor, dear master! If it is rheumatism, do
140 CCLXXXI  |          me to remain calm! dear master! I have not your temperament!
141 CCLXXXVI |    working for them.~Duty is the master of masters, it is the real
142 CCLXXXVI |         Time, and has become his master. It is that which lives
143 CCLXXXVII|     Paris, Saturday evening~Dear master,~I curse once more THE DRAMATIC
144 CCLXXXVII|         and especially you, dear master, so great, so strong, and
145 CCXCI    |        with me, dear and valiant master. Add to that worries about
146 CCXCI    |        well. You see, dear, good master, that I am right to spare
147 CCXCV    |      forgive my long delay, dear master? But I think that I must
148 CCXCIX   |        you, dear, good, adorable master.~You know that I have abandoned
149 CCCI     |          I think as you do, dear master, that art is not merely
150 CCCI     |          certain expressions and master strokes, such as “the shade
151 CCCV     |      1876~COMPLETE SUCCESS, dear master. The actors were recalled
152 CCCV     |          distress me a bit, dear master, by attributing esthetic
153 CCCVIII  |        volume this morning, dear master. I have two or three others
154 CCCIX    |        to call me inwardly, dear master, “a confounded pig,”—for
155 CCCIX    |       but afterwards?~Well, dear master, and this is to answer your
156 CCCX     |         bottom of my heart, dear master! You have made me pass an
157 CCCXII   |         SAND Monday evening~Dear master, Thanks to Madame Lina’s
158 CCCXII   |     please you!~Adieu, dear good master. Remembrances to all yours.~