Letter

 1 Introd |       demands true situations, and characters not only true but real,
 2 Introd |         execute which she invented characters and plot so that she is
 3 Introd |     oriental scenery, for barbaric characters, the pomp of savage war
 4 XXXIII |            in our novels, what our characters do or do not do, rests only
 5 XL     |             put oneself into one’s characters and not create them after
 6 LXII   |           Nohant with four or five characters, we shall enjoy it. We embrace
 7 LXXI   | irremediable fault; will such weak characters be interesting? Great effects
 8 LXXIV  |            continues with the same characters, going through the most
 9 LXXIV  |            improvisations; and the characters done by Maurice have the
10 XCIV   |        dark rooms where mysterious characters move, talking in low tones,
11 XCIV   |         exits and entrances of the characters in blue or white blouses
12 CXXXIV |         your picture, whether your characters understand it or not. Rosanette
13 CXLVII |             but no interest in the characters and too many second-rate
14 CLVI   |        Empress in one of the chief characters of her novel, Malgre tout;
15 CCC    |           absence of ACTION of the characters on themselves. They submitted
16 CCCII  |            s own opinion about the characters that one puts on the stage,
17 CCCII  |      signalize the effort. All the characters in that book are feeble
18 CCCII  |          from a book where all the characters are good without distinctions
19 CCCII  |          through the opposition of characters; but, in their struggle,
20 CCCXIII|            were worked out and the characters related.~Your chief character,