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| Alphabetical [« »] sounding 1 sounding-line 1 soundly 1 sounds 111 sour 1 source 13 sources 6 | Frequency [« »] 113 difference 112 1 111 secondly 111 sounds 111 till 110 colour 110 reflection | John Locke An essay concerning human understanding IntraText - Concordances sounds |
Book, Chapter
1 I, I | all our ideas of colours, sounds, tastes, figure, &c., innate, 2 I, I | For words being but empty sounds, any further than they are 3 II, I | when the eye is but open; sounds and some tangible qualities 4 II, I | not very susceptible of sounds; and where there is little 5 II, II | true distinct notions of sounds.~3. Only the qualities that 6 II, II | taken notice of, besides sounds, tastes, smells, visible 7 II, III | eyes. All kinds of noises, sounds, and tones, only by the 8 II, III | may be said of colours and sounds. I shall, therefore, in 9 II, VIII | insensible parts, as colours, sounds, tastes, &c. These I call 10 II, VIII | understood also of tastes and sounds, and other the like sensible 11 II, VIII | colours, nor the ears hear sounds; let the palate not taste, 12 II, VIII | colours, tastes, odours, and sounds, as they are such particular 13 II, VIII | ideas of several colours, sounds, smells, tastes, &c. These 14 II, VIII | have of distinct colours, sounds, &c., containing nothing 15 II, IX | notice of the characters or sounds, but of the ideas that are 16 II, IX | every sentence pronounce sounds which, though taken notice 17 II, X | should produce the like sounds; and why the sounds they 18 II, X | like sounds; and why the sounds they make themselves, should 19 II, XI | the framing of articulate sounds, they begin to make use 20 II, XI | organs to frame articulate sounds, that they have no use or 21 II, XI | we find, can fashion such sounds, and pronounce words distinctly 22 II, XIII | by making a noise with sounds, without clear and distinct 23 II, XIV | our ideas, as where two sounds or pains, &c., take up in 24 II, XIV | body in motion, or between sounds or smells following one 25 II, XVIII | with motion.~3. Modes of sounds. The like variety have we 26 II, XVIII | like variety have we in sounds. Every articulate word is 27 II, XVIII | almost an infinite number. Sounds also, besides the distinct 28 II, XVIII | reflecting on the ideas of those sounds, so put together silently 29 II, XXI | notions of internal actions by sounds, that I must here warn my 30 II, XXI | any variety of articulate sounds whatsoever. This caution 31 II, XXI | explained the nature of colours, sounds, tastes, smells, and all 32 II, XXII | simple ideas:—(1) Articulate sounds. (2) Certain ideas in the 33 II, XXIII | corporeal signs, and particular sounds; which are therefore of 34 II, XXV | that are more than empty sounds must signify some idea, 35 II, XXVII | to apply what articulate sounds to what ideas he thinks 36 II, XXVIII| easily to the impressions of sounds, and are forward to take 37 II, XXIX | as distinguishable as the sounds that stand for them, there 38 II, XXIX | as the ideas of those two sounds they are marked by, there 39 III, I | fitted to form articulate sounds. God, having designed man 40 III, I | fit to frame articulate sounds, which we call words. But 41 III, I | taught to make articulate sounds distinct enough, which yet 42 III, I | language.~2. To use these sounds as signs of ideas. Besides 43 III, I | ideas. Besides articulate sounds, therefore, it was further 44 III, I | should be able to use these sounds as signs of internal conceptions; 45 III, I | perfection of language, that sounds can be made signs of ideas, 46 III, I | which advantageous use of sounds was obtained only by the 47 III, I | perfectly insignificant sounds; but they relate to positive 48 III, II | quickness, as those articulate sounds, which with so much ease 49 III, II | between particular articulate sounds and certain ideas, for then 50 III, II | of speech is, that those sounds, as marks, may make known 51 III, II | make them signs of nothing, sounds without signification. A 52 III, II | not be understood, if the sounds they applied to one idea 53 III, II | connexion between certain sounds and the ideas they stand 54 III, II | learn certain articulate sounds very perfectly, and have 55 III, II | been accustomed to those sounds. But so far as words are 56 III, II | consent, appropriates certain sounds to certain ideas in all 57 III, III | between its ideas and the sounds it uses as signs of them, 58 III, III | between them and certain sounds as signs of them; and will 59 III, IV | stands for. For, words being sounds, can produce in us no other 60 III, IV | ideas than of those very sounds; nor excite any in us, but 61 III, IV | for the signification of sounds is not natural, but only 62 III, IV | formed, is to expect that sounds should be visible, or colours 63 III, IV | word by any other words or sounds whatsoever, put together 64 III, IV | comprehend both colours and sounds, and the like simple ideas, 65 III, IV | acceptation, comprehends colours, sounds, tastes, smells, and tangible 66 III, V | of language is, by short sounds, to signify with ease and 67 III, V | law, which are not empty sounds, will hardly find words 68 III, V | tapers, orders, motions, sounds, does it contain in that 69 III, V | look beyond fashionable sounds, and observe what ideas 70 III, VI | abstract them, and make what sounds they pleased the signs of 71 III, VI | take them for insignificant sounds, but must needs conclude 72 III, IX | serve the turn. For since sounds are voluntary and indifferent 73 III, IX | the speaker. Now, since sounds have no natural connexion 74 III, IX | colours to a blind man, or sounds to a deaf man, need not 75 III, IX | another’s heads with noise and sounds; but convey not thereby 76 III, IX | of them, moral words, the sounds are usually learned first; 77 III, IX | mouths little more than bare sounds; or when they have any, 78 III, X | party, they remain empty sounds, with little or no signification, 79 III, X | they have learned those sounds, and have them ready at 80 III, X | united in nature, their bare sounds are often only thought on, 81 III, X | subtilize the signification of sounds, so as never to want something 82 III, X | useful as to confound the sounds that the letters of the 83 III, X | bigger than another; but it sounds harsh (and I think is never 84 III, X | of those common received sounds, the speaker and hearer 85 III, X | amount to nothing but bare sounds, and nothing else.~27. When 86 III, X | his terms. For however the sounds are such as are familiarly 87 III, X | words, and speaks only empty sounds. He that hath complex ideas 88 III, XI | about little more than sounds, whilst the ideas they annex 89 III, XI | Addicted to wrangling about sounds. Let us look into the books 90 III, XI | noise and wrangling about sounds, without convincing or bettering 91 III, XI | the vain ostentation of sounds; i.e. those who spend their 92 III, XI | but spoke them only as sounds, which usually served instead 93 IV, III | with them than any words or sounds whatsoever. Diagrams drawn 94 IV, III | sensations, as of colours, sounds, tastes, smells, pleasure, 95 IV, III | sensation in us of colours and sounds, &c., by impulse and motion; 96 IV, III | about, or stick only in sounds of doubtful and uncertain 97 IV, III | would consider, and not sounds instead of them, have avoided 98 IV, IV | and certainty, whatever sounds we make use of.~10. Misnaming 99 IV, IV | ourselves up to certain sounds, and the imaginations of 100 IV, V | denying, these signs, made by sounds, are, as it were, put together 101 IV, V | these ideas, thus marked by sounds, agree to their archetypes, 102 IV, VI | prevailing custom of using sounds for ideas, I think it is 103 IV, VIII | can it be but playing with sounds, to affirm that of the name 104 IV, VIII | imitation, and framing certain sounds, which he has learnt of 105 IV, VIII | about the signification of sounds. For since no abstract idea 106 IV, VIII | thoughts stick wholly in sounds, and are able to attain 107 IV, XI | from another man, draw such sounds as I beforehand design they 108 IV, XI | a long series of regular sounds to affect my ears, which 109 IV, XVII | it is only about those sounds, and nothing else.~10. II. 110 IV, XVIII | ideas but of their natural sounds: and it is by the custom 111 IV, XXI | make use of, are articulate sounds. The consideration, then,