Book,  Chapter

  1     II,  II   |          sees at once motion and colour; the hand feels softness
  2     II,  IV   |        has distinct ideas of the colour of scarlet and the sound
  3     II,  IV   |     discourse concerning scarlet colour with the blind man I mentioned
  4     II,  VIII |        however the cause of that colour in the external object may
  5     II,  VIII |         in fire to produce a new colour, or consistency, in wax
  6     II,  VIII |     causes the ideas of the blue colour, and sweet scent of that
  7     II,  VIII |       when it is plain it has no colour in the dark? It has, indeed,
  8     II,  VIII |      almond, and the clear white colour will be altered into a dirty
  9     II,  VIII |          face, receive change of colour from the sun, we cannot
 10     II,  IX   |       round globe of any uniform colour, v.g. gold, alabaster, or
 11     II,  IX   |       truly variety of shadow or colour, collecting the figure,
 12     II,  IX   |     convex figure and an uniform colour; when the idea we receive
 13     II,  XI   |       accordingly. Thus the same colour being observed to-day in
 14     II,  XII  |         a certain composition of colour and figure, causing delight
 15     II,  XII  |        of a certain dull whitish colour, with certain degrees of
 16     II,  XIII |         from the idea of scarlet colour? It is true, solidity cannot
 17     II,  XIII |   extension, neither can scarlet colour exist without extension,
 18     II,  XIV  |         circle of that matter or colour, and not a part of a circle
 19     II,  XVIII|       termed shades, of the same colour. But since we very seldom
 20     II,  XVIII|    divers kinds, viz. figure and colour, such as beauty, rainbow, &
 21     II,  XXIII|      what is the subject wherein colour or weight inheres, he would
 22     II,  XXIII|    perceive in fire its heat and colour; which are, if rightly considered,
 23     II,  XXIII|          our senses perceive the colour and brittleness of charcoal,
 24     II,  XXIII|       which it has to change the colour and consistency of wood.
 25     II,  XXIII|         but bare powers. For the colour and taste of opium are,
 26     II,  XXIII|     complex idea of gold, as its colour and weight: which, if duly
 27     II,  XXIII|          the sun, than the white colour it introduces into wax.
 28     II,  XXIII|          which is now the yellow colour of gold, would then disappear,
 29     II,  XXIII|          eyes produces a certain colour, is, by thus augmenting
 30     II,  XXIII|       this way, loses its former colour, and is, in a great measure,
 31     II,  XXIII|          the name swan, is white colour, long neck, red beak, black
 32     II,  XXV  |          man who hath that white colour. But when I give Caius the
 33     II,  XXV  |     relation of husband; and the colour white the occasion why he
 34     II,  XXXI |          is, a body of a certain colour, weight, and hardness; and
 35     II,  XXXI |    malleableness depends on that colour, weight, and hardness, than
 36     II,  XXXI |          and hardness, than that colour or that weight depends on
 37     II,  XXXI |         in it, viz. its peculiar colour, weight, hardness, fusibility,
 38     II,  XXXI |         fixedness, and change of colour upon a slight touch of mercury, &
 39     II,  XXXI |        and a fitness to have its colour changed by the touch of
 40     II,  XXXI |        of body; but its peculiar colour, perhaps, and weight, were
 41     II,  XXXI |    internal constitution, as its colour or weight: and it is probable,
 42     II,  XXXII|     different senses, and call a colour by the name of a taste, &
 43     II,  XXXII|         parts, or else that very colour, the idea whereof (which
 44     II,  XXXII|          whether it be that real colour, or only a peculiar texture
 45     II,  XXXII|          weightiness, and yellow colour of gold, any one join in
 46     II,  XXXII|         the weight of tin to the colour, fusibility, and fixedness
 47    III,  II   |        the bright shining yellow colour, he applies the word gold
 48    III,  II   |          to his own idea of that colour, and nothing else; and therefore
 49    III,  II   |         therefore calls the same colour in a peacock’s tail gold.
 50    III,  III  |          all those properties of colour, weight, fusibility, fixedness, &
 51    III,  III  |         of it. But yet it is its colour, weight, fusibility, fixedness, &
 52    III,  IV   |      produce an idea of light or colour by a sound, however formed,
 53    III,  IV   |    whiteness is the name of that colour he has observed in snow
 54    III,  IV   |          under the genus or name colour, it signifies no more but
 55    III,  VI   |   disease may very much alter my colour or shape; a fever or fall
 56    III,  VI   |          body of such a peculiar colour and weight, with malleability
 57    III,  VI   |        shape of a horse; nor the colour of lead with the weight
 58    III,  VI   |    propagated by seed, it is the colour we must fix on, and are
 59    III,  VI   |           Thus where we find the colour of gold, we are apt to imagine
 60    III,  VI   |        qualities, viz. shape and colour, for so presumptive ideas
 61    III,  VI   |     makes it. The yellow shining colour makes gold to children;
 62    III,  VI   |          joined with that yellow colour, as constantly as its weight
 63    III,  VI   |      kinds agree, leaves out the colour and other qualities peculiar
 64    III,  VI   |        and hair, of a dark brown colour, without wings, but in the
 65    III,  VI   |          to have a bright yellow colour, and an exceeding great
 66    III,  IX   |       one satisfies himself with colour and weight, yet another
 67    III,  IX   | necessary to be joined with that colour in his idea of gold, as
 68    III,  IX   |       constantly joined with its colour and weight as fusibility
 69    III,  IX   | substances, for the most part by colour, joined with some other
 70    III,  IX   |         a certain yellow shining colour; which being the idea to
 71    III,  IX   |          joined with that yellow colour in certain parcels of matter,
 72    III,  IX   |       having that shining yellow colour, will by fire be reduced
 73    III,  IX   |      straightly joined with that colour as its fusibility, he thinks
 74    III,  IX   |       made up of body, of such a colour and fusibility, to be imperfect;
 75    III,  IX   |          that sort rather by its colour, weight, and fusibility,
 76    III,  IX   |          fusibility, than by its colour, weight, and solubility
 77    III,  IX   |    property of it? Or why is its colour part of the essence, and
 78    III,  X    |          man’s drinking till his colour and humour be altered, till
 79    III,  XI   |     understand what feuillemorte colour signifies, it may suffice
 80    III,  XI   |   suffice to tell him, it is the colour of withered leaves falling
 81    III,  XI   |         and in inanimate bodies, colour; and in some, both together.
 82    III,  XI   |       the idea of the particular colour of gold is not to be got
 83    III,  XI   |       that to the yellow shining colour of gold, got by sight, shall,
 84     IV,  II   |       and this paper be all of a colour. If there be sight in the
 85     IV,  II   |         paper different from the colour of the paper: and so if
 86     IV,  II   |        light and simple ideas of colour. Whether then they be globules
 87     IV,  III  |        or pain, or the idea of a colour or sound, we are fain to
 88     IV,  III  |        of parts produce a yellow colour, a sweet taste, or a sharp
 89     IV,  III  |    produce in us the idea of any colour, taste, or sound whatsoever:
 90     IV,  III  |         though we see the yellow colour, and, upon trial, find the
 91     IV,  III  |      matters, pretend to. By the colour, figure, taste, and smell,
 92     IV,  III  |          and any perception of a colour or smell which we find in
 93     IV,  VI   |          tell in what flower the colour of a pansy is or is not
 94     IV,  VI   |     whilst he has no idea of the colour of a pansy at an. Or if
 95     IV,  VI   |         body of a certain yellow colour, malleable, fusible, and
 96     IV,  VI   |        we can discover, with the colour, weight, or any other simple
 97     IV,  VI   |        between fixedness and the colour, weight, and other simple
 98     IV,  VI   |         what it was wherein that colour consisted, what made a body
 99     IV,  VI   |          No one, I think, by the colour that is in any body, can
100     IV,  VI   |    between malleableness and the colour or weight of gold, or any
101     IV,  VI   |         immediately lose all its colour and weight, and perhaps
102     IV,  VI   |        the sensation of a yellow colour, and what sort of figure,
103     IV,  VI   |       due motion to produce that colour; would that be enough to
104     IV,  VII  |         not a man, because white colour was one of the constant
105     IV,  XII  |          the combination of that colour, weight, and fusibility
106     IV,  XII  |       body of such a determinate colour, weight, and fusibility,
107     IV,  XII  |           and all others of that colour, weight, and fusibility,
108     IV,  XVI  |      lead fluid, and changes the colour or consistency in wood or
109     IV,  XVI  |       think it probable that the colour and shining of bodies is
110     IV,  XVIII|     could convey the idea of any colour, by the sound of words,