Book,  Chapter

 1      I,  II  | Theodoric king of the Ostrogoths—Character of Theodoric—Changes in
 2      I,  II  |          by the influence of his character, all the barbarian kings
 3      I,  II  |     holiness, every point of his character would have deserved the
 4      I,  IV  |          of the Countess Matilda—Character of Frederick Barbarossa—
 5     II,  III |       few priests of respectable character, mingled among them for
 6     II,  IV  |    Pietro Scarragio, a dissolute character, fond of mischief, who,
 7     II,  V   |         Corso—Death of Corso—His character—Fruitless attempt of the
 8     II,  VIII|        of the duke of Athens—His character.~These executions greatly
 9     II,  I   |       lost the generosity of her character and her distinction in arms.~
10    III,  IV  |       and reduces them to order— Character of Michael di Lando.~At
11     IV,  III |        An example of an opposite character occurred at Galeata, where
12     IV,  IV  |          Giovanni de’ Medici—His character—Insurrection of Volterra—
13     IV,  V   |         from regard to their own character, adopted such a course with
14     IV,  VI  |         VI~Cosmo de’ Medici, his character and mode of proceedings—
15     IV,  VII |        wished to preserve such a character as he had hitherto possessed;
16      V,  VI  |       were written in an unusual character, and the sense so involved
17      V,  VII |        Rinaldo degli Albizzi—His character—Neri Capponi goes to recover
18     VI,  II  |        efface the stain upon his character.~This feeling of Bartolommeo
19     VI,  IV  |      complaints will blacken thy character throughout the world, or
20     VI,  V   |         all; and that the duke’s character was such, that if he desired
21     VI,  VI  |         by the excellence of his character. Like all who are in pursuit
22     VI,  VII |       had lost all its habitable character; churches and dwellings
23    VII,  I   |   actions, were quite of a regal character, and he alone was prince
24    VII,  IV  |          of Niccolo Soderini—His character—Excesses in Florence—Various
25    VII,  IV  |      Accession of Sixtus IV.—His character—Grief of Piero de’ Medici
26    VII,  IV  |          of order— His death and character—Tommaso Soderini, a citizen
27    VII,  IV  |   reflecting less scandal on his character. Piero being a priest, was
28    VII,  VI  |      Either out of hatred to the character and manners of the duke,
29   VIII,  I   |    finding him quite a different character from what he had been represented,
30   VIII,  IV  |         aware of the redoubtable character of his assailant, immediately
31   VIII,  VII |     utility, were quite of regal character. He next undertook the improvement
32   VIII,  VII |       consistent with so great a character; for he was frequently seen