Part,  Chapter

 1    I,  I  | tendencies, he had painted living men, but in a way that showed
 2    I,  I  |          the heart of middle-aged men when some one mentions their
 3    I,  I  |       admired and courted by many men without ever feeling the
 4    I,  I  |          something different. The men of her world, political
 5    I,  I  |     habits, or scruples, like all men! He was handsome, celebrated,
 6    I,  I  |         of their favors with such men as he. One of them, some
 7    I,  I  |      continually meeting, the two men, becoming accustomed to
 8    I,  II |       gave him the power to judge men at first sight; and he strolled
 9    I,  II |           in ass’s skin!”~The two men shook hands and began to
10    I,  II |           Duchess?”~The other two men saluted her with a certain
11    I,  II |          that artists and learned men were merely intelligent
12    I,  II |           I cannot understand how men can admire your skeletons.
13    I,  II |           For my part, I say that men should be thin, because
14    I,  II |            quarters, you will see men choking, their eyes full
15    I,  II |           most popular and envied men in Paris.~It was necessary
16    I,  II |         which creates between two men a subject of conversation,
17    I,  III|          the sunshine lent to the men a festive air, to the women
18    I,  III|           last six years half the men in Paris have been swooning
19    I,  III|      beauty; he demonstrated that men of the world were wise in
20    I,  III|           envied; and perhaps the men, in pointing her out to
21    I,  III|          shook hands with several men.~“I choose you!” cried the
22    I,  III|           was a continuous hum of men’s voices.~There were all
23    I,  III|           reflect upon that? Have men any age here? Oh, my dear
24    I,  III|     friends.”~“Oh, heavens, these men!” said the Countess, with
25    I,  III|        ascribed to them; that the men never committed the sins
26    I,  III|     followed his example. The two men passed through both drawing-rooms
27    I,  IV |      artists were to be seen—tall men with long hair, wearing
28    I,  IV |        there was such a throng of men and women as to suggest
29    I,  IV |          to show the alertness of men who do their best to be
30   II,  I  |          bald, fat, tired-looking men are~eating, with half-opened
31   II,  I  |         had passed there.~The two men sat down on a little two-seated
32   II,  I  |       beginning to sound. The two men, seated on the balcony of
33   II,  I  |         and gaiety in which grave men do foolish things. He looked
34   II,  I  |       table with three thin young men, superlatively correct,
35   II,  II |           of conversation between men and women whom life has
36   II,  III|        the coffee was served.~The men were still playing when
37   II,  IV |            but these instincts in men are so numerous that the
38   II,  IV |           always being jealous of men who pay court to no matter
39   II,  IV |           he explained.~All those men, except Musadieu, the landscape
40   II,  IV |        clock on a summer evening. Men turned to look at Annette,
41   II,  IV |        woman leaves in a crowd of men, contracted her heart little
42   II,  IV |         people, seen by all those men who yet did not look at
43   II,  V  |       people, and to keep the two men from meeting.~As the painter,
44   II,  V  |           after the Arab fashion.~Men of all ages, almost naked,
45   II,  V  |         muscles of all the strong men in Paris.~“Good-morning,
46   II,  V  |         the easy air of well-made men, who never feel embarrassed
47   II,  V  |          the body and the life of men.~After these miserable nights,
48   II,  V  |         and life to the hearts of men up to their last days.~Every
49   II,  VI |      nothing but the wings, where men were talking, running about,
50   II,  VI |           the orchestra rows, the men in white cravats, sitting
51   II,  VI |    familiar countenances, society men, artists, journalists, the
52   II,  VI |           gloved hands, while the men standing behind them shouted
53   II,  VI |      personification of imaginary men, that nocturnal and painted
54   II,  VI |            said the Duchess. “You men of the world and artists
55   II,  VI |         recited; in short, of all men that anyone praised before
56   II,  VI |        from their boxes, with the men, those idiots who were giving
57   II,  VI |          the midst of a stream of men and women, in a sort of
58   II,  VI |           of light, surrounded by men and women. This vision,
59   II,  VI |         passion.~“Oh,” said she, “men of Bertin’s importance need
60   II,  VI |           price send away the two men that stood behind her; she
61   II,  VI |         lesson, she urged the two men to go, repeating to her
62   II,  VI |           this existence and made men was either blind or very