Part, Chapter
1 I, I | undertone:~“Friday—eight o’clock. I do not wish you to go
2 I, I | every instant looked at the clock, whose hands moved toward
3 I, I | strange state of mind.”~The clock struck, and this reminder
4 I, III| of a whip. It was three o’clock in the afternoon. He decided
5 I, III| all those who from seven o’clock in the evening know not
6 I, III| that it was almost four o’clock.~“Oh,” he said, “we must
7 I, III| Countess raised her eyes to the clock and saw that it was about
8 I, III| glanced continually at the clock, the hands of which approached
9 I, III| here Thursday, at three o’clock, if you are free; and I
10 I, IV | day. As early as nine o’clock in the morning they began
11 I, IV | promised me to be here at ten o’clock, at the top of the stairs,
12 I, IV | in the buffet at four o’clock.”~“That is true,” he replied.~
13 I, IV | rejoined them.~“It is four o’clock,” said the Duchess. “I am
14 I, IV | on going out at three o’clock, a little blue despatch
15 I, IV | as soon as it was ten o’clock. Then after one occasion
16 II, I | minutes between eight~o’clock and midnight, I go home
17 II, I | your house about~seven o’clock.~“As for me, as soon as
18 II, I | leave to-morrow by the one o’clock train. Shall I send her
19 II, II | for Roncieres on the one o’clock train. Send Phaeton station.
20 II, II | Very soon.”~“At four o’clock?”~“Yes.”~“Oh, how kind he
21 II, II | powder, and looked at the clock, trying to guess at what
22 II, II | The Countess looked at the clock.~“Oh, it is half after eleven.
23 II, III| He arrived about eleven o’clock. He was one of those dignified,
24 II, III| the studio about four o’clock?”~“Yes, but for what purpose?”~“
25 II, III| shall be with you at four o’clock.”~“Thank you! You are goodness
26 II, III| to attend mass at one o’clock on Sundays, gave alms for
27 II, III| Then suddenly, as if a clock had struck in her heart,
28 II, III| that it was already four o’clock. She hastened away to take
29 II, IV | his studio, looking at the clock at every turn, watching
30 II, IV | youthful intoxication. Three o’clock struck, and he was astonished
31 II, IV | the street about five o’clock on a summer evening. Men
32 II, V | cup of tea between ten o’clock and midnight.~As soon as
33 II, V | the Count, looking at the clock. Turning to the painter,
34 II, V | of an autumn evening.~The clock struck.~“It is a long time
35 II, V | night to the ticking of the clock, which seemed to murmur,
36 II, VI | soul. He sat until two o’clock in his armchair, before
37 II, VI | had carried him, at nine o’clock in the evening!” Then, leaning
38 II, VI | I will call about nine o’clock to-morrow morning. Good-bye,
39 II, VI | dead except a tall Flemish clock on the stairs, which regularly
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