Part,  Chapter

 1    I,  I  |      streamed down into the vast studio through a skylight in the
 2    I,  I  |        which reflected the whole studio, he saw one of the portieres
 3    I,  I  |       the lady walked across the studio, asking, “What is that?”~“
 4    I,  I  |         women I shall close your studio. I know only too well to
 5    I,  I  |         slowly to and fro in his studio. All the past of this liaison
 6    I,  I  |    accompany the Countess to the studio the next day. He asked,
 7    I,  I  |         them came to pose at his studio, he felt, in spite of any
 8    I,  I  |        toys to be brought to the studio the following day.~Little
 9    I,  I  |     within the walls of Bertin’s studio.~She was the daughter of
10    I,  I  |    novelty to her. She found the studio a very amusing place, laughed
11    I,  I  |         late, she would find the studio empty.~He would go out,
12    I,  I  |      home to go to the painter’s studio, a wave of joy, warm and
13    I,  I  |       Shutting himself up in his studio, he stood in mental exaltation
14    I,  I  |      love, or I shall leave this studio never to return. If you
15    I,  I  |          could still come to his studio, listen to him and answer
16    I,  I  |     would appear suddenly in his studio, without giving him notice
17    I,  III|        the friendly peace of his studio, with clear eye, lucid mind,
18    I,  III|        the party returned to the studio, felt stirred by that light
19    I,  III|       and shut himself up in his studio.~But as soon as he was alone,
20    I,  III|          house was empty and his studio deserted. Then, looking
21   II,  I  |          sofa in a corner of the studio, under a canopy of Oriental
22   II,  III|        Then, can you come to the studio about four o’clock?”~“Yes,
23   II,  III|         take her daughter to the studio, where Olivier must already
24   II,  III|          found the artist in his studio, studying upon the canvas
25   II,  III|        to obey and reentered the studio. Annette, unsuspicious,
26   II,  III|     resentment.~He soon left his studio to go to her house, impatient
27   II,  III|    asking me to take her to your studio, under the pretext of posing
28   II,  IV |        he pace to and fro in his studio, looking at the clock at
29   II,  IV | sensation of her presence in the studio.~Suddenly, impatient at
30   II,  V  |        in the large stove in his studio, for the night promised
31   II,  V  |     their meetings, in this same studio. He had walked whole nights
32   II,  V  |        chamber to bring into the studio the drawer of his desk,
33   II,  V  |      entered, and went up to his studio.~But as he sat down he felt