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Alphabetical    [«  »]
portiere 1
portieres 3
portion 1
portrait 33
portraits 5
portuguese 1
pose 14
Frequency    [«  »]
33 monsieur
33 open
33 perhaps
33 portrait
33 studio
32 came
32 listened
Guy de Maupassant
Strong as death

IntraText - Concordances

portrait

   Part,  Chapter
1 I, I | that I have just begun—the portrait of the Princesse de Ponteve.”~“ 2 I, I | but I do not make twice a portrait of Any!” was the answer.~“ 3 I, I | a trip to Africa, and a portrait of the Princesse de Salia, 4 I, I | fashionable world the first portrait painter of his day. From 5 I, I | there is some one whose portrait I should paint willingly!”~ 6 I, I | really wish to paint my portrait?”~“I shall be very happy 7 I, I | for a long time to have a portrait of his wife, and certainly 8 I, I | thought fell like a seed.~The portrait progressed, and was likely 9 I, I | posing, as usual.~“And the portrait—is it good?” he asked.~“ 10 I, I | mental exaltation before the portrait, his lips longing to press 11 I, I | are long in finishing that portrait.”~He took up his palette 12 I, I | finished the Countess’s portrait, the best, certainly, that 13 I, II | And he painted Bismarck’s portrait in striking colors, a portrait 14 I, II | portrait in striking colors, a portrait a la Saint-Simon. The man 15 I, II | of the principal one, the portrait of the Countess by Olivier 16 I, II | the most beautiful modern portrait I know. There is prodigious 17 I, II | who, through hearing this portrait continually praised, had 18 I, II | two they lavished upon the portrait all the art technicalities 19 I, II | eyes were lifted toward the portrait, apparently in a rapture 20 I, II | reflector lamp placed before the portrait in order to illumine it, 21 I, IV | light poured from above.~The portrait of the President of the 22 II, I | could make a very~pretty portrait of your daughter. Is it 23 II, II | animation. “Why, it is your own portrait painted by me—it is my portrait. 24 II, II | portrait painted by me—it is my portrait. It is yourself, such as 25 II, III| hand, led her under the portrait of her mother, in the ray 26 II, III| a miracle! Without that portrait we never should have perceived 27 II, III| but she resembles that portrait much more.”~Musadieu now 28 II, III| hand standing before the portrait! She herself felt as if 29 II, III| and flattery, whenever her portrait was admired, she was so 30 II, IV | little one with her own portrait. In spite of herself, she 31 II, V | fixed on Annette under her portrait, continued, stronger and 32 II, V | the copy of the Countess’s portrait that he had made formerly 33 II, V | face of days gone by, a portrait of the last century, or


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