Part,  Chapter

 1    I,  II |            girl, without replying, turned upon him her mischievous
 2    I,  III|            but although his tailor turned him out in correct styles,
 3    I,  III| silversmith’s art, the glass being turned down upon a square of embroidered
 4    I,  III|        passed before her; now they turned and passed her again without
 5    I,  III|       woven this hallucination, he turned toward her again, and found,
 6    I,  III|            sad.~“Oh, but your hair turned gray very early, you know,”
 7    I,  IV |           The Countess started and turned. Annette, the Duchess, and
 8    I,  IV |            girl. When her back was turned one could hardly distinguish
 9   II,  II |          eyes of the two women had turned toward the outside and now
10   II,  II |          is!”~But the Countess had turned pale, for a new anxiety
11   II,  II |          pushed back her hair, and turned the eyelids to look at the
12   II,  II |        take her tea.”~The Countess turned, confused, surprised, ashamed,
13   II,  II |          superhuman effort of will turned her thoughts in other directions,
14   II,  II |        nothing else to say.~But he turned, looking behind her in search
15   II,  II |            black!” he said.~And he turned toward the Countess while
16   II,  III|           heart when all eyes were turned upon Annette as Bertin held
17   II,  III|       twisting snakes of color, he turned from time to time to look
18   II,  IV |   Hippodrome; changed his mind and turned toward the Nouveau Cirque,
19   II,  IV |         mother’s eye upon him, and turned his head abruptly, as if
20   II,  IV |            as the master’s back is turned.~He went away early, for
21   II,  IV |           and harmonious ideal. He turned to the left on reaching
22   II,  IV |           long time. The two women turned them over on the cloth with
23   II,  IV |           on a summer evening. Men turned to look at Annette, and
24   II,  V  |           him.~He went downstairs, turned toward the Madeleine, and
25   II,  V  |         this apparition no more he turned the painting around; then,
26   II,  V  |            she might have enjoyed, turned into sadness things that
27   II,  VI |           each aria. Annette, half turned toward him, listened with
28   II,  VI |            if she had read it! She turned, and in a preoccupied, hurried
29   II,  VI |           things.~The conversation turned upon other subjects until
30   II,  VI |           burning love, their love turned to ashes.~The Countess turned,
31   II,  VI |      turned to ashes.~The Countess turned, and in the dazzling light