Part, Chapter
1 I, I | characteristic of energy and pride.~Standing before the mirror, with
2 I, I | was an affair of such long standing that he declared it the
3 I, I | fascination. As he painted, standing before his canvas, advancing
4 I, I | his goddess.~He remained standing, full of deep, ardent, intoxicating
5 I, II | charming and amusing they are, standing beside each other! Look,
6 I, III| one!”~He bowed to them, standing beside the carriage door,
7 I, III| were chatting, sitting or standing.~The conductor tapped his
8 I, III| my friend.”~He remained standing, unable to decide to go,
9 I, IV | fear, which was of long standing, increased constantly, and
10 II, II | startled when her maid, standing behind her, said:~“Madame
11 II, II | at the railway station, standing on the platform, all in
12 II, II | horizon. The three cows, standing with drooping heads, cropped
13 II, II | looked like silver shells. Standing still for a few seconds,
14 II, II | Ah,” said the Countess, standing alone with the painter, “
15 II, III| bedroom. There she remained standing a few moments, glad to be
16 II, III| perceiving the young girl standing against the frame, illumined
17 II, III| she looked at her daughter standing by the image of herself,
18 II, III| Bertin held her by the hand standing before the portrait! She
19 II, V | remained alone, She and He, standing, behind the draperies over
20 II, VI | gloved hands, while the men standing behind them shouted as they
21 II, VI | alone in the drawing-room, standing with her back toward him,
22 II, VI | into it. The Count remained standing at the foot of the bed,
23 II, VI | directions. The painter’s valet, standing near her, listened also,
24 II, VI | drawer empty, she remained standing, waiting, watching the almost
25 II, VI | illuminating the woman standing and the man dying, was their
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