Part,  Chapter

 1    I,  I  |        all the manifestations of art. Rich, illustrious, the
 2    I,  I  |         dreams, in love with his art, which he knew to perfection,
 3    I,  I  | experiments in all styles of his art. Perhaps, too, the sudden
 4    I,  I  |       understands the technic of art. She stepped back, advanced,
 5    I,  I  |       Yes; it is a most delicate art, needing great distinction
 6    I,  I  |         handled by masons in the art of painting.”~For twelve
 7    I,  I  |      toward the distinguished in art, opposing his occasional
 8    I,  I  |         his life, his plans, his art, as to a brother.~Deluded
 9    I,  II |          world and the beauty of art, of which they chatter without
10    I,  II |        upon the portrait all the art technicalities of the day
11    I,  III| masterpiece of the silversmith’s art, the glass being turned
12    I,  IV |      fancy of the day, and never art, art alone, art detached
13    I,  IV |          the day, and never art, art alone, art detached from
14    I,  IV |        and never art, art alone, art detached from the popular
15    I,  IV |       those ancient questions of art, of which he knew all sides.~
16    I,  IV |         her face with theatrical art, and, though in broad daylight
17   II,  IV |          known and practised the art. He had taken up to finish
18   II,  VI |        whom the masters of human art work until death. He looked
19   II,  VI |        chest: “The old-fashioned art of Olivier Bertin.”~He had
20   II,  VI |         lips: “The old-fashioned art of Olivier Bertin.”~Never