Part,  Chapter

 1    I,  I  |     think of a new subject for a painting. What should he do? As yet
 2    I,  I  |           that if you go back to painting portraits of women I shall
 3    I,  I  |          by masons in the art of painting.”~For twelve years the Countess
 4    I,  I  |       returned to the subject of painting, and wished to make him
 5    I,  I  |      sitting, he suddenly ceased painting and inquired:~“What amuses
 6    I,  I  |         tone; then, resuming his painting, he touched upon a variety
 7    I,  I  |          press themselves on the painting, whereon something of herself
 8    I,  II |          the superiority of that painting.~“Indeed,” said he, “that
 9    I,  IV |       all matters connected with painting, and as preoccupied as if
10   II,  II |       has, and reproduced you in painting, Madame. Ah, I thought that
11   II,  III|         the living sister of the painting.~“Ah, that is certainly
12   II,  IV |        to have lost the knack of painting, as if they had forgotten
13   II,  V  | apparition no more he turned the painting around; then, as he felt
14   II,  VI |          for some time all about painting. Bertin showed some studies,
15   II,  VI |     article was entitled “Modern Painting.” It was a dithyrambic eulogy
16   II,  VI |          with the title, ‘Modern Painting.’”~And the deputy ceased
17   II,  VI |          it because it was about painting.”~Everyone smiled, knowing