Section,  Paragraph

 1   I,  14 |                14. When a natural discourse paints a passion or an effect,
 2   I,  16 |           just proportions of the discourse which we wish to adapt to
 3   I,  16 |         turn which we give to our discourse in order to see whether
 4   I,  22 |           do not form a different discourse, no more do the same words
 5   I,  32 |    pleases us, be it house, song, discourse, verse, prose, woman, birds,
 6   I,  48 |          find words repeated in a discourse and, in trying to correct
 7   I,  48 |           that we would spoil the discourse, we must leave them alone.
 8  II,  61 |        might well have taken this discourse in an order like this: to
 9  II,  72 |         arrive be now that of our discourse. Perhaps he will think that
10  II,  72 |          and too great brevity of discourse tend to obscurity; too much
11  II,  82 |        and changes the force of a discourse or a poem.~Love or hate
12 III,  188|        188. In every dialogue and discourse, we must be able to say
13 III,  233| stumbling-blocks.~The end of this discourse.—Now, what harm will befall
14 III,  233|          given nothing.~"Ah! This discourse transports me, charms me,"
15 III,  233|          charms me," etc.~If this discourse pleases you and seems impressive,
16  IV,  246|           obstacles, which is the discourse on "the machine," on preparing
17  IX,  612|      which made him break off his discourse, "I await, O my God, the