Part,  Dialogue

1   1,  4|            thoughts. Here the sight usually moves the affection to a
2   1,  5|           by the arms with which he usually captivates men and gods,
3   2,  1|          and other singers, so that usually, the sacrificant, the victim
4   2,  1|       conditions of things which we usually admire, for not those things
5   2,  3|          will suppose that which is usually received, that the opposites
6   2,  4| contemplation, for he finds himself usually hampered and blocked by