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Chapter grey = Comment text
1 I | ago. I fancy that to the Western mind the word "ghost-house"
2 I | course, quite different from Western ideas about the soul."~ "
3 I | not say so much for your Western notions about the soul."~{
4 II | they are Vulgar, so that Western people may not be deceived."~ ~
5 II | said. "There are famous Western romances containing nothing
6 II | even partially, in any Western tongue, its subtler delicacies
7 III | of five, according to our Western method of computing age
8 III | it existed by sending out Western cooking, in little tin boxes,
9 III | misunderstood. Our harmonized Western music means simply so much
10 III | remains incommunicable to Western minds, because the myriad
11 III | the statement may seem to Western readers, indicated extreme
12 IV | stupendous than any dreamed of by Western creeds. Dead emotions will
13 V | doctrines of one of the modern Western schools of Impressionism.~ ~
14 V | reveal more than ordinary Western drawing can express. But
15 V | learned a little, it is the Western art of illustration that
16 V | to the ordinary class of Western illustration as compared
17 V | a criticism must imagine Western art to be~{p. 105}~everywhere
18 V | that the ordinary art of Western book illustration or magazine
19 V | often hear Japanese say that Western art is too realistic; and
20 V | to use a corresponding Western term, "Pictures of this
21 V | personal emotionalism of Western life, our~{p. 121}~art would
22 V | self-suppression. Modern Western art reflects the thirst
23 V | said that the history of Western civilization is written
24 V | civilization is written in Western physiognomy. It is at least
25 V | least interesting to study Western facial expression through
26 VII | Ôsaka is the reverse. Fewer Western costumes are to be seen
27 VII | The number of edifices in Western style is nevertheless remarkably
28 VII | are not constructed on Western plans. The really "foreign"
29 VII | experience. Ôsaka will build in Western style - with stone, brick,
30 VII | one belonging to the Western (Nishi), the other to the
31 VII | the progressive forms of Western Christianity, and it has
32 VII | industrially advanced of Western peoples - the practical
33 VII | furnished. Returning now to Western life, I should feel like
34 VII | cannot believe it), that Western artists have little more
35 VII | rare thing it is in our Western world! - and how independent
36 VIII | lifetime. Yet for even the Western stranger there are everywhere
37 VIII | especially interesting to the Western reader, - much less because
38 VIII | as forbidden fruit in the Western Eden of Dreams and the every-day
39 VIII(2)| significantly here than the Western reader might suppose from
40 VIII | introduction and adoption of Western civilization. Kido, Saigô,
41 VIII | certain future union of Western knowledge~p. 210}~with Eastern
42 IX | yet exists in the average Western mind.~ Nirvana, indeed,
43 IX | dissolve with it. What to Western reasoning seems the most
44 IX | p. 113)~ Naturally the Western reader may ask, - "How can
45 IX | justified in calling, from our Western point of view, the process
46 IX | no real counterparts in Western religious thought. Above
47 IX | theories and the concepts of Western science. It will be evident
48 IX | fairly estimated by any Western thinker. How much of human
49 IX | hoped that the contact of Western with Oriental thought will
50 IX | 238}~ It may be said, in Western religious phraseology, that
51 IX | bar of the thinkable than Western philosophers have ever ventured.
52 X(1) | The Western reader is requested to bear
53 X(1) | for weaning children in Western countries. But "four years
54 X(1) | considerably less, than three by Western reckoning.~
55 X(1) | something very different from a Western kitchen-range.~
56 X(2) | original rather too plain for Western taste, yet not without interest.
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