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Chapter grey = Comment text
1 I | of the scenery, - a rural form related to nature as closely
2 I | should have neither size nor form. I should be only a vibration, -
3 I | me new lions of another form, - lions of granite or of
4 II | the classical five-line form (tanka), represented by
5 II | suggestiveness.~II~The songs really form three distinct groups, each
6 II(2) | misho.~The only song of this form in the collection. The use
7 III | street they were of the same form, and were fixed at exactly
8 III | bride was just that rare form of grace which represents
9 III | Japanese women is daintiness of form and manner rather than what
10 IV | What is the human body? A form built up out of billions
11 IV | joining the two so as to form the perfect ji, or character,
12 IV | teaching which invested every form and every incident with
13 V | conventional than any existing form of art. And since it proved
14 V | nature's thought behind the form. The results of this method
15 V | professed to reflect truth. One form of truth they certainly
16 V | perception of natural law in form and color, the perception
17 VII | the most purely Japanese form of Buddhist architecture, -
18 VII | carrying saké. The most usual form of hyôtan resembles that~{
19 VII | other monuments of like form in the same row, - also
20 VII | flower-vases are in the form of saké-bottles. Artificial
21 VII | certain pleasing oddity of form; and in many cases the walls
22 VIII | beauty or significance of form - from the plaything of
23 VIII(1)| have the same traditional form. - The Japanese friend who
24 IX | still retains the ideas of form - subjective and objective.
25 IX | loses the subjective idea of form, and views forms as external
26 IX | passes beyond all ideas of form, ideas of resistance, and
27 IX | and death of Karma in some form or condition. But at each
28 IX | phantom-self changes not only as to form and condition, but as to
29 IX | translation, - even as it is the form of the wave only, not the
30 IX | relation is the universal form of thought; but since relation
31 IX | any one who believes in form, sound, smell, taste, or
32 IX | phenomena - which passes from form to form. The striving for
33 IX | which passes from form to form. The striving for Nirvana
34 IX | sensation possible to the lowest form of life.~ But, according
35 IX | Self-without-selfishness.2 As name and form, the false self dissolves;
36 IX | the Seventeen Heavens of Form (Shiki-Kai); - and lastly
37 IX | Vision-Perfecting, and The Limit of Form. Herein pleasure and pain,
38 IX | pleasure and pain, and name and form, pass utterly away. But
39 IX | the thought of name and form becomes extinct, and there
40 IX | pure Buddha: the visible form and thinking self, which
41 IX | units finding quality and form through unimaginable affinities; -
42 IX | lay~Aside their complex form, - that aggregation~Of mental
43 IX | conception nor are competent to form any, - back to the indefinable
44 IX | which no possible future form of positive knowledge can
45 X(2) | buried in wooden coffins of a form unknown in the Occident.
46 XI | communicate them in their original form. It is only possible, by
47 XI | of illusion, - outside of form and name; and pain cannot
48 XI | the delusions of color and form, - the delusions of sensuous
49 XI | present, past, or future. Form and the names of form are
50 XI | future. Form and the names of form are alike nothingness: -
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