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Chapter grey = Comment text
1 II | directness, and sincerity. The real art of them, in short, is
2 II(3) | signifying "sweet dew." The real meaning is amrita, the drink
3 III | for which there is no real English equivalent; the
4 III | had never waited upon a real foreigner before. Suddenly
5 III | straw, or stone makes no real difference: the art sense
6 III | something natural, something real. Whether a blossom made
7 III | Japanese interior, can give real pleasure to the poorest
8 III | made the pageant seem more real, and I fully agreed with
9 III | too romantic. And yet the real poetry of the event remained
10 III | conventional humbug, that the real, warm, honest human emotions
11 III | within us. Nevertheless, the real and the unreal are equally
12 IV | there would be a very real though vague sense of loss,
13 IV | after the snow is gone. The real sorrow and fear of death
14 IV | appear to them much more real than the mud. landscapes
15 IV | childhood. And much more real it probably is not.~ At
16 IV | and plain seem no more real than the arching of blue
17 IV | that make and unmake, are real, - therefore viewless.~
18 V | face cannot be found in real life, no living head presenting
19 V | everywhere, when once the real value of its symbol in art
20 V(1) | be distinguished from a real insect, except by its weight,
21 V | Greek art, rising above the real to reach the divine, gives
22 V | and we should characterize real beauty in the portrayal
23 VI | food; and we never had any real sorrow until father fell
24 VII(1)| creature so called is not a real badger, but a kind of fruit-fox.
25 VII | sure to be some object of real art, whether in bronze,
26 VIII | the Self exists: it is a real (though multiple) personality
27 VIII | as an intimation of his real sentiments. By the phrase, "
28 IX | consciousness is not the Real Self, and that the mind
29 IX | occupied by concepts having no real counterparts in Western
30 IX | psychology is there any real~{p. 233}~teaching of two
31 IX | there can have been neither real pleasure nor real pain,
32 IX | neither real pleasure nor real pain, but only the vaguest
33 X | KYÛBEI (afterwards TOGÔRÔ). - Real father of Tôzô. Original
34 X | visit the tomb of Kyûbei his real father in his previous existence.~
35 XI | any attempt to tell the real pain of seeing my former
36 XI | the pain and the fear were real, - and always, always growing.
37 XI | nothingness: - Knowledge only is real; and unto whomsoever gains
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