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1 III | old Jesuit writers, - the modern and familiar Shôgun, Taikun,
2 III | probably as factitious as it is modern. I remember two impressive
3 IV | all that survives in the modern ideograph of the whole man
4 V | doctrines of one of the modern Western schools of Impressionism.~ ~
5 V | labor of generations of modern critics and teachers, has
6 V | displeases in the realism of our modern illustration is not multiplicity
7 V | the manifestation in some modern human being of the Greek
8 V | possible human faculties. In modern art we look for the feminine
9 V | tones in that reflection of modern life which our serious art
10 V | competitive struggle of modern civilization.~ As reflecting
11 V | and by self-suppression. Modern Western art reflects the
12 VII | granite pillars, a good modern post-office, a mint, an
13 VII | of Good Fortune, - toys modern and toys of fashion forgotten, -
14 VII | said to represent the most modern and the most purely Japanese
15 VII | he does, - the smoke of modern Ôsaka, he might well think, "
16 VII | sentiment, repellent to modern feeling.~V~ I said in
17 VIII | waterfalls, villages, - even of modern railway stations. And the
18 VIII | kôtis1 of worlds." And the modern scientific revelation of
19 IX | human brain itself, by the modern testimony of histology and
20 IX | the universe as it exists. Modern knowledge can discover~{
21 IX | science and Buddhism diverge. Modern psychology recognizes no
22 IX(2)| footnote p. 237} with the modern scientific teaching of the
23 IX | p. 240}~anticipations of modern scientific discovery, -
24 IX | greatest and richest of the modern sects - the Shinshû - hold
25 IX | Nirvana, - assuming, with modern Buddhism, that the pilgrimage
26 IX | cannot bear the test of modern psychological analysis,
27 IX | 264}~the doctrine also of modern science: either might be
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