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1 I | fields and at the impassive face of their Chôja. And the
2 II | I drink, I feel that my face grows red.~p. 38}~IV~I cannot
3 II | turns white.~IX~Seeing the face, at once the folly I wanted
4 II | V~If I may not see the face, but only look at the letter,~
5 III | tinged with spectral gold the face of a monument on which I
6 V | almost every normal type of face to be found in a Japanese
7 V | The Greek conventional face cannot be found in real
8 V | the Japanese conventional face can be seen everywhere,
9 V | properly understood. The face of Greek art represents
10 V | The seemingly inexpressive face drawn by the Japanese artists
11 V | into play) of the human face. The general types are given,
12 V | clean, smooth curves of the face and neck. Excepting the
13 V | change in the line of the face following upon loss of teeth.
14 V | average observer less than a face presenting an abnormal development
15 VI(1) | eyes as well as to hide the face in moments of grief. To "
16 VII | merits, their history. His face is pleasing, - nose straight
17 VII | figure from before whose face the powers of Moriya broke
18 VII | very old screens. But the face, in spite of its drooping
19 VII | moustaches, is a typical Japanese face, - dignified, kindly, passionless.
20 VIII | each brings a smile to her face.1~If in this present life
21 VIII(1)| thinking bring-out smiling face." The use of the term shashin,
22 VIII | spoken:~Therefore with Emma's face the lover receives the prayer.1~
23 VIII | that prayer with Buddha's face; but hereafter~My face shall
24 VIII | s face; but hereafter~My face shall be Emma's face because
25 VIII | My face shall be Emma's face because of too many prayers.~
26 VIII(1)| Emma-gao ("Borrowing-time, the face of Jizô; repaying-time,
27 VIII(1)| Jizô; repaying-time, the face of Emma").~
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