bold = Main text
Chapter grey = Comment text
1 I | symbols or tokens, the latter probably of paper. Now the emptiness
2 I | unhappy lovers, for example. (Probably the old customs which made
3 I | long, slow, spongy motion. Probably it was but the after-tremor
4 II | song? "The other song is probably new: - ~ Three years
5 III | This vast gathering, of probably not less than a million
6 III | demonstrativeness in Tôkyô is probably as factitious as it is modern.
7 IV | childhood. And much more real it probably is not.~ At which thought
8 IV | practical illustration, - probably learned at school. She breaks
9 V | of it - the very best - probably is; and some of Japanese
10 V | euphemism of "shrewdness." Probably the manifestation in some
11 VII | contributed something. This was probably the case long before Tôkyô
12 VII | his own city, you would probably find him in Japanese costume, -
13 VII | misdemeanor. A dismissal would probably ruin him for life; and every
14 VII | the figure of Amida. Probably the reader knows that the
15 VII | But in some respects it is probably the most emotional. No other
16 VII | upon a big disk of stone, probably weighing a ton; and this
17 VII | tanuki-bozu). My readers probably know that the Japanese tanuki1
18 VII | my friend replied: - ~ "Probably about two hundred here;
19 VIII | by high priests, of which probably no ten lines are without
20 VIII(2)| and the boat spoken of is probably a roofed pleasure-boat,
21 X | Although the beginning will probably prove dry reading, I presume
22 X | being a strange child, would probably die before long, and that
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