Chapter

 1 III|       manner rather than what a Greek would have termed grace.
 2 V  |         ought to recognize that Greek art itself was not free
 3 V  |       Somebody may respond that Greek conventions were conventions
 4 V  |        nor its Lessing, whereas Greek art, by the labor of generations
 5 V  |      barbarian forefathers. The Greek conventional face cannot
 6 V  |         understood. The face of Greek art represents an impossible
 7 V  |       the conventional masks of Greek actors.~IV~   A few general
 8 V  |         Japanese art, as in the Greek, the use of detail aids
 9 V  |         whether Japanese or old Greek), is, on the contrary, essentially
10 V  |       of their orbits."~   Both Greek and Japanese art recognized
11 V  |       making." The highest art, Greek art, rising above the real
12 V  |     truth recognized equally by Greek art and by Japanese~{p.
13 V  |       modern human being of the Greek ideal of masculine beauty
14 V  | respects much below the ancient Greek level. A German philosopher
15 V  |        ethically not only below Greek art, but even below Japanese.
16 V  |        but even below Japanese. Greek art expressed the aspiration
17 VII| paintings and inscriptions upon Greek and Roman tombs, expressing