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 1 III  |     tones are the tones that touch. The falsetto tones of the
 2 III  |    vast antiquity defines to touch that chord of the æsthetic
 3 V    | aspirational extremes of art touch, one may expect to find
 4 VII  |      worship, - something to touch, or put close to the heart, -
 5 IX   |  senses are modifications of touch. Or, to use the simplest
 6 IX   |    is thus a modification of touch. Certain vibrations, acting
 7 IX   |  sensations of taste, smell, touch. All our knowledge is derived
 8 IX   |   physical sensation, - from touch. Of course this is no ultimate
 9 IX   |   can tell us what feels the touch. "Everything physical,"
10 IX(1)| pains have their origin from touch: where there is no touch,
11 IX(1)|     touch: where there is no touch, they do not arise." - Atthaka-vagga,
12 IX   |     is fraught with peril: a touch or a look may cause the
13 IX   | again doubled, the slightest touch may create life. In the
14 XI   |      dissolution, one divine touch ended the frightful vision,