Chapter

 1 II |       the contrast between the tones of the man, sonorous as
 2 III|        the really professional tones of the voice are used, -
 3 III|     voice are used, - falsetto tones, never touching, but often
 4 III|        natural voice only, use tones that draw tears. The voice
 5 III|        contralto; and the deep tones are the tones that touch.
 6 III|     and the deep tones are the tones that touch. The falsetto
 7 III|       that touch. The falsetto tones of the geisha rise into
 8 III|        any transformation. The tones of decoration are never
 9 V  |      only those great luminous tones and chromatic blendings
10 V  |     are still the two dominant tones in that reflection of modern
11 VII|      of this shade. To-day the tones are lighter; and greys -
12 VII|     and bamboo screens; creamy tones of stuccoed surfaces; cool
13 VII|          the beautiful neutral tones of old timbers, the fading
14 VII| considerable variety. The mere tones of a private house are enough