Chapter

 1 II  |        of simple alternations of lines of five and seven syllables;
 2 II  |     composed of three successive lines of seven syllables each,
 3 II  |      surface a regular series of lines about three fourths of an
 4 II  |         mat, and then counts the lines it touches. According to
 5 III |  Japanese railroad and steamship lines, and to other desirable
 6 III |      combination so beautiful of lines and colors and shadows that
 7 V   |          and mouth, there are no lines. The curves speak sufficiently
 8 V   |   portrayal of maturer types the lines are more numerous and more
 9 VIII|         of which probably no ten lines are without some allusion
10 VIII| syllables only, arranged in four lines (7, 7, 7, 5). They are more
11 IX  |        as an advance in straight lines, but as an advance by undulations, -