100-attac | attai-count | cours-fed | fee-ink-b | inlan-monas | money-preve | prey-shinc | shine-tower | towne-zocho
bold = Main text
Chapter grey = Comment text
504 IX | journey, all beings who attain to the highest enlightenment,
505 III | valiant woman, instantly attaining to the admirable doctrine
506 VII | commercial wilderness.1 No attempts have been made by the native
507 VII | of Shôtoku Taishi and his attendants. The figure of the prince,
508 III | attempt to pass would be attended with unpleasant consequences.
509 VII | the numerous salesmen was attending to many customers at once.
510 VII | in the matter of personal attentions, but in making beauty for
511 IX(1) | touch, they do not arise." - Atthaka-vagga, 11.
512 II | represents a man strongly attracted by two girls: one, perhaps
513 III | incomparably more original and attractive. Nearly all the pictures,
514 VII | Japan. No crowds are more attractively robed, and no streets more
515 IX | arose. Thus the most obvious attribute of the Cosmos is its impermanency."1~
516 V(1) | Japanese from another, and attributes this difficulty to the absence
517 V | work of such artists as Aubrey Beardsley, Edgar Wilson,
518 III | britannia ware, at some auction sale in one of the foreign
519 VIII | singers can delight their audiences for five or six hours at
520 IX | vibrations, acting upon the auditory mechanism, give rise to
521 IV | innumerable.~ ~ Is there aught visible, tangible, measurable,
522 IX | possibilities of enjoyment, an augmentation of power, a heightening
523 I | looked upon me. Deign thou augustly to make me white, very white, -
524 III | only, as regarded both the author and the subject. The printed
525 X | present century. Various authors appear to have made use
526 I | as he could find words, automatically caressing Tada's brown cheeks; "
527 X | of this same mouth. And, availing myself of the privilege,
528 V | aspect of hardened cunning, avarice, or envy. There are many
529 IX | written in the Kegon-Kyô (Avatamsaka-Sutra): "Child of Buddha, there
530 X(2) | Sukuna-hikona as Buddhist avatars. In the prayer of the sect
531 III | more pleasant experience awaited me on the road back to the
532 I | invested capital, stood awaiting transportation. Approaching
533 XI | Time must perish. To the Awakened there is no Time or Space
534 IX | of personality into the awakening divine.1~ But in the case
535 III | brings the vibration of awe.~ Considered as a human
536 VII | tiers of tiled and, tilted awnings; and great eaves which,
537 IX | 243}~number. Below these axe the states of torment or
538 X(2) | which he gave the name of Azuma-Kyô. It was Buddhist teaching
539 III | Sano, the pawnbroker in Baba.~20 sen for train to Shincho.~
540 I | older folk, and mothers with babies at their backs, and even
541 VII | toys; the shadowing of the baby-dresses; the variegated wonder of
542 VII | boats, and baby tea-sets and baby-furniture, and whirligigs and comical
543 XI | to hold. For, as I looked backward, I became double, quadruple,
544 III | that the texts were written backwards, - from the bottom of the
545 III | into a neat wooden box and bade me take it home for a souvenir;
546 VII | are smaller figures of badgers, dressed like Buddhist priests (
547 III | Metempsychosis," as lovers of Thomas Bailey Aldrich are doubtless aware;
548 III | colored paper, a spool of baked clay, and a long thread;
549 X | Sagamiya, kept by one Kihei, in Bakuro-chô.~ SEI. - Wife of Genzô
550 VIII(1)| toy-figures, which are so balanced that they will always assume
551 VII | glassless windows with elfish balconies under them, and rooflets
552 III | poor blind women who sing ballads with the natural voice only,
553 VII | speckled all over with little balls of white paper spat upon
554 VII | funny little galleries with balustrades; barred, projecting, glassless
555 II | and the carpenters and the bamboo-weavers~{p. 31}~and the rice-cleaners.
556 I | the jointed columns of the bamboos, I should observe, season
557 I | the girl was sentenced to banishment for five years. But at the
558 VII | merchants of Ôsaka were the bankers and creditors of the Japanese
559 VII | reported. Sometimes the bankrupt merchant is reëstablished
560 V | short order to national bankruptcy, the future industrial prosperity
561 I | man could see the festival banners (nobori) fluttering above
562 III | penetrating as a bird's. In a banquet-hall full of guests, you can
563 IX | farther, perhaps, beyond the bar of the thinkable than Western
564 V | it could have been to our barbarian forefathers. The Greek conventional
565 V | still remained under old barbaric influences, - influences
566 V | departments to be thoroughly barbarous." How could they be otherwise
567 V(1) | long time I found it very bard to tell one foreigner from
568 VII | chairs and counter. Scores of barefooted light-limbed boys were running
569 III | too pleased to think of bargaining with him, and secured the
570 VII | better than a row of wooden barns or stables, but the interior
571 VII | galleries with balustrades; barred, projecting, glassless windows
572 I | bark to the sombre grey of basalt. So shaped and so tinted,
573 VII | a precedent on which to base predictions. Remembering
574 I | times. These customs were based upon the social experience
575 X(2) | Yedo, organized, on the basis of Isshin's teaching, a
576 III | imaginary grain out of a basket by the pressure of a bamboo
577 X | himself with the making of baskets, which he sells in Yedo.
578 VII | appearance of an enormous green bat of the shape worn by peasants
579 I | to swim in the long gold bath of a sunbeam, to thrill
580 III | silent streets of temples, bathed in the gold of the autumn
581 III | the first opening of the batteries. Despite exceptions, it
582 I | fall, and break their mossy beads off. After which the people
583 I | fantastic projections of beam-work above its gable-angle, might
584 V | of such artists as Aubrey Beardsley, Edgar Wilson, Steinlen
585 VII | dangerous. But they used to beat and kick them. Japanese
586 I | kiyomé-tamaé! . . . We have beaten drums, we have lighted fires;
587 V | representing famous European beauties.~ "They do not look bad,"
588 VIII(2)| body scorch! What Karma because-of, sincerity-not-is-man to,
589 II(1) | in many of the half-dry beds of the Japanese rivers.~
590 V | grasshopper, a butterfly, or a bee, in the moment that we perceive
591 VII | ship-building, watch-making, beer-brewing, and cotton-spinning. I
592 IX | gives rise, - as growth begets growth, as motion produces
593 XI | dreams born of dreams and begetting hollowness. To the clear
594 I | them, - even individual behavior. They preserved peace, and
595 V | Japanese street. I have beheld in actual life almost every
596 I | architectural forms produce in the beholder a feeling of weirdness is
597 III | mean, dry facts could ever belittle that large fact.~ The
598 I | purlings of melody; - the bell-insects, the crickets, and the seven
599 VII | the Nembutsu, I play the belly-drum." The flower-vases are in
600 I | the village to which he belonged: he had been for many years
601 IX | but only for the highest beneficence, - the propagation of doctrine,
602 IX | we are suffering for the benefit of the future? How can it
603 IX | supreme compassion, - perfect benevolence: they are not of man, but
604 V | of expression, a look of benevolent resignation; or they repel
605 IX | imperfect state; and the dark bequests of our darkest past are
606 III | is the destiny of all. I beseech you, think me not unfilial;
607 VIII | of the Gods is earnestly besought: - ~I make my hyaku-dô,
608 III | The editor of the pamphlet betrayed rather too much of the Oriental
609 VIII(1)| footnote p. 195} either betrothal or marriage - from which
610 VIII(1)| the religious phrase, Ai betsu ri ku ("Sorrow of parting
611 VIII(2)| Ishi-botoké!~ "Charming-smile-by bewildered-not, he-as-for, wood-Buddha,
612 I | and naked riven cliff, the bewilderment of scooped-up deep-sea wrack
613 VIII | Rossetti's "Sudden Light," - bewitching us chiefly through the penetrative
614 IX | Permanent Soul.~{p. 219}~II~O Bhagavat, the idea of a self is no
615 IX | Whatsoever brother, O Bhikkus," - the Teacher said, - "
616 IX | with All! We are not only bidden to imagine the ultimate
617 VIII | the life of the body; - ~Bidding me wait for a time is the
618 X | shy at once, and runs to bide himself in the inner apartments.
619 IX | beauty of the gods," and bids her demand of him, out of
620 IV | present world, with its bigger mountains and rivers and
621 IV | Birth and Death whose surges billow unseen out of eternal Night
622 IX(1) | destruction of the five bonds that bind people to this world, has
623 VIII | not spoken the vow that binds for a double existence?~
624 V | general physiognomical or biological law.~ Here it is worth
625 I | from the silvery tone of birch bark to the sombre grey
626 VII | But taste is a Japanese birthright.~{p. 176}~It is everywhere
627 III | cent, and was made with a bit of colored paper, a spool
628 VII | learning. The previous Emperor, Bitatsu Tennô, had permitted the
629 VII | a powerful noble, and a bitter opponent of the foreign
630 VII | admirable book gives only the black-and-white notion of the subject; and
631 I | held to honor me. Priests, black-coiffed and linen-vestured, would
632 VII | charred boards, of which the blackened and hardened surfaces are
633 I | objected very strongly, no blame would be given to her: it
634 III | sandals, this sudden coming of blankness and silence made me feel
635 II | bones on the shore were bleaching,~I would find my way to
636 X(2) | mixed doctrines, and the blending of Shintô with Buddhist
637 V | luminous tones and chromatic blendings which, after a thousand
638 V | influences, - influences that blinded me to the meaning of Japanese
639 VIII | together, even the Hell of the Blood Lake - ~Even the Mountain
640 III | a small Japanese razor, blood-crusted, with the once white soft
641 VIII(3)| a sénu.~The Hell of the Blood-Lake is a hell for women; and
642 III | of a heroism. Those poor blood-stained trifles - the coarse honest
643 III | the girdle and clothing, blood-stiffened (all except the kimono,
644 II | in a valley:~This is our blossoming-time - but nobody knows the fact.~
645 VIII(2)| flower: this-night-in-storm blow-not, is-it-certain?"
646 III | bamboo gives when the wind is blowing.~ To describe the procession
647 VIII | change are scattered and blown away.~Thinking to-morrow
648 VII | warm greys, steel greys, bluish greys, purplish greys -
649 VII | are covered. with charred boards, of which the blackened
650 VIII(2)| the thickness of] a single boat-plank is hell," - referring to
651 IX(1) | annihilated, then the vacuum-pure Bodhi-heart is reached." (I may observe
652 VII(1) | popular legend, Daruma (Bodhidharma), the great Buddhist patriarch
653 X(1) | an insect might do. The bodiless spirit is usually said to
654 IX(1) | Sammya-Shin [Samya-Kaya], or Body-Accordant of the Nyôrai [Tathâ-gata]." -
655 VIII(1)| expresses the sound of the gravy boiling.~
656 II | chansons des rues et des bois; even songs about celebrated
657 III | importation; and the tendency to boisterous demonstrativeness in Tôkyô
658 VII | more than the mills of Bombay.~ Every great city in
659 IX | broken fetters of sensual bondage to reform. Beyond all worlds
660 V(1) | case, his insect - cut in bone or horn or ivory, and appropriately
661 VII | skylight, I saw busy ranks of bookkeepers, cashiers, and correspondents
662 II | the man, sonorous as if boomed through a conch, and the
663 VII | temple-drum; - there are booths for the sale of toys and
664 VII | parts, and a sort of paper border about fifteen inches broad
665 V | he is still obliged to borrow from antique knowledge.
666 II | Japan has certainly not borrowed either from China or from
667 V | antique knowledge. As a borrower, he is never quite successful,
668 VIII(1)| nasu-toki no Emma-gao ("Borrowing-time, the face of Jizô; repaying-time,
669 II | let the keys remain in our bosoms.~After which mutual confidence
670 III | Looking closer, I saw "Vol. V. Boston: Ticknor & Fields. 1860."
671 VII | recognized than the New Yorker or Bostonian. He has a certain quickness
672 VII(1) | That is, a bottle containing one sho, - about
673 I | questions of water supply or boundaries; but quarreling between
674 VII | which in the West we call a "bouquet." To-day I must add that
675 I | tearing out the~{p. 25}~bowels of the land as it went.
676 VII | approaches the visitor, bowing its sleek head to beg. There
677 III | Western cooking, in little tin boxes, to native hotels; and the
678 X(1) | to errand-boys and little boy-servants sometimes, - perhaps because
679 VII | a naughty song (Shinshû bozu e mon da!), which might
680 VII(1) | Vaisravana, - the Kuvera of Brahmanism.
681 III | of thousands of hands and brains; but each individual contributor
682 VII | several large portions by the branchings of the Yodogawa. The streets
683 I | red clay, in lamplets of brass, - the lights of the~{p.
684 I | great or good or wise or brave might be declared a god
685 VII | ruinous: nearly all the brazen wind-bells suspended to
686 VII | Occasionally there are moral break-downs. Perhaps a detchi misappropriates
687 IX | beyond universes. At each breaking and shedding of the chrysalis
688 III | climbed three flights of breakneck stairs, or rather ladders,
689 III | made to be pinned to the breast, like military decorations,
690 I | white paper, so as not to breathe upon my food. And the miko
691 VII | sundry~{p. 145}~mills and breweries. But these are so scattered
692 VII | Western style - with stone, brick, and iron only when and
693 VIII | there remained a legion of briefer forms to choose among. I
694 III | seem to be of necessity the briefest. At all events, Japanese
695 VII | streets are more interesting, brighter, quainter in their signs
696 II | always go astray!~IV~Even the brightest lamp, even the light electric,~
697 I | decorations of the shrine, and the brightly colored gathering of the
698 VIII | the age fifteen:~Then the brightness wanes, and the darkness
699 VIII(1)| photograph look-at, thinking bring-out smiling face." The use of
700 III | monogram-bearing delft and britannia ware, at some auction sale
701 VII | cape, is usually of black broadcloth, with much silk binding,
702 I | thickened as they gazed, that broadened as a coast-line broadens
703 I | broadened as a coast-line broadens to the eyes of one approaching
704 III | cheap pleasures might be broadly divided into those of time
705 VII | face the powers of Moriya broke and fled away. The rout
706 VII | many pleasing variations, - bronze-colors, gold-browns, "tea-colors,"
707 IX | tolerance, no sense of human brotherhood, no wakening of universal
708 V | head with prominent bushy brows, incisive nose, deep-set
709 VII | strokes by a master -~{p. 179}~brush-pictured two enormous crabs about
710 V | and all this with a few brush-strokes. But he does not attempt
711 V | admire faces in which only brutal, or cruel, or cunning traits~{
712 IX | the appetites of primitive brute life. And the Buddhist teaching,
713 IX(1) | conditions of being, or of other "Buddha-fields," may provoke a smile; but
714 II | emotion, from its earliest budding to its uttermost ripening,
715 X | Buddhist stories entitled Bukkyô-hyakkwa-zenshô, to whom they furnished
716 IX | that what we call Self is a bundle of sensations, emotions,
717 VII | running over it, bearing bundles of merchandise to customers; -
718 VII | and close to the entrance, bung down a great heavy bell-rope,
719 III | expenses of her journey and her burial. I bought a little book
720 IX(1) | Karma-life are entirely burnt out and annihilated, then
721 IX | Perpetually from the ashes of burnt-out passions subtler passions
722 XI | sentiency itself seemed bursting into dissolution, one divine
723 X(2) | it has been the custom to bury the dead in large jars, -
724 IV | they play at funerals, - burying corpses of butterflies and
725 V | seeing a head with prominent bushy brows, incisive nose, deep-set
726 X | before the household shrine [butsudan], I inhaled the vapor of
727 V | body of a grasshopper, a butterfly, or a bee, in the moment
728 VII | cut low in front. It is buttoned from throat to feet, and
729 VII | and nearly every visitor buys some memento of it, - perhaps
730 VIII(2)| Ara sétai.~Lit.: "By-any-means, this-world-in, cannot-live-together
731 III | fantastic roots, the shadowed bypaths, the few ancient graven
732 VII | in Doshiômachi, and the cabinet-makers in Hachimansuji. So with
733 VII | where tea is served, and cake-stands where you can buy cakes
734 III | wrapped round its handle caked into one hard red mass;
735 VII | cake-stands where you can buy cakes for the tortoises or for
736 VIII(2)| According to the old calendar, there was always a full
737 III | poem. It was a wonder of calligraphy. Instead of the usual red
738 IV | birth which the Buddhist calls Chû-U.~{p. 89}~It is made
739 VII | as a mirror surface, the canal flows between high stone
740 VII | absence of sound; for these canal-streets are as silent as the streets
741 VIII(2)| By-any-means, this-world-in, cannot-live-together if, Lotos-of Palace-in,
742 VII | ago, wearing a picturesque cap, and Chinese or Korean shoes
743 V | Why this admiration of capacities which we should certainly
744 VIII | appellations of mountains, capes, waterfalls, villages, -
745 VII | necessary to impoverish its capitalists because of their financial
746 IX | soul, destined, by divine caprice, to eternities of bliss
747 VII | the almost inexplicable caress of color. To illustrate
748 X | wife wondered greatly. They caressed Katsugorô and wept; and
749 IX | despises splendors, refuses the caresses of a Queen dowered with~{
750 I | find words, automatically caressing Tada's brown cheeks; "and
751 V | Even when, in the humor of caricature or in dramatic representation,
752 II | street by the smiths and the carpenters and the bamboo-weavers~{
753 VII | up again by the boys, and carried back into the fire-proof
754 III | hatamoto, samurai, retainers, carriers, musicians, and dancers.
755 IX(1) | and there saves [lit., 'carries over' - that is, over the
756 VII | such as travelers use for carrying saké. The most usual form
757 V(1) | Unless he carves it. In that case, his insect -
758 III | scenery: with landscapes, cascades, peaks, rocks, islands;
759 VII | busy ranks of bookkeepers, cashiers, and correspondents squatting
760 II | fearing, and doubting,~I cast my silver pin for the test
761 VII | you may happen to make the casual acquaintance of a gentleman
762 III | bits of realism, such as a cat seizing a mouse in the act
763 VII | Remembering how strong Roman Catholicism remains to-day, how little
764 V | the greatest economical caution - might lead in short order
765 VII | men are said to be very cautious in choosing their detchi,
766 III | called the Garden of the Cavern of the Genii. (At least "
767 III | and to haunt forests or caverns, being Japanese, or rather
768 VIII(3)| on moonlight nights they caw at all hours from sunset
769 VIII(3)| announce the dawn by their cawing; but sometimes on moonlight
770 IX | all sensations and ideas cease to exist. And after this
771 IV | and into all these, by ceaseless cosmic magic, thou shalt
772 IX | personal mind. This action ceases: then the fourth state of
773 III | hilly masses of foliage - cedar and pine and bamboo - with
774 I | Between the trunks of the cedars and pines, between the jointed
775 VII | suspended from their high ceilings, or hung before their altars,
776 III | festival to the autumn, and the celebration began on the 15th of the
777 VII | warehouses the national stores of cereals, of cotton, and of silk; -
778 VII | goes slow" and invests upon certainties. When there is a certainty,
779 VII | the prince, seated upon a chair of honor, is life-size and
780 VII | shop, serves at once for chairs and counter. Scores of barefooted
781 I(1) | Usually hinoki (Chamæcyparis obtusa).
782 VII | through the dark. The lower chamber of the bell-tower is fitted
783 I | of clear vision. Thus it chanced that Hamaguchi became aware
784 VIII(3)| no michi.~Lit.: "Change changeable-world-in, does-not-change that-which, '
785 II | majority of the Japanese chansons des rues et des bois; even
786 VI | changeless and unemotional as the chanting of the little kettle over
787 III | The Professor's Story;" chapters of "Roba di Roma;" a poem
788 VII | most modernized, the least characteristically Japanese, of all Japanese
789 V | parenthood; and we should characterize real beauty in the portrayal
790 VI | the little kettle over its charcoal bed. Not unfrequently in
791 VIII(2)| Ishi-botoké!~ "Charming-smile-by bewildered-not, he-as-for,
792 VII | sides are covered. with charred boards, of which the blackened
793 VII | uses perfecting presses, charters special trains, and has
794 III | prefix Retsujo, signifying chaste and true, - ~RETSUJO HATAKEYAMA
795 III | everybody does, for the cheapest material is used. Paper,
796 VI | Manyemon, who responded by checking me just as I was going to
797 I | automatically caressing Tada's brown cheeks; "and there is room for
798 III | example. Even the military cheer is an importation; and the
799 VII | bearing me away from the cheery turmoil of the great metropolis.
800 IX | Infinite Riddle? . . . Ask the chemists and the mathematicians.~
801 V | Ibels, Whistler, Grasset, Cheret, and Lantrec. Finally, he
802 III | gave place to rain. Then cherry-blossoms came to please everybody;
803 I | the falling of the snow of cherry-flowers; the lilac spread of the
804 III | pleasure-seekers. One spot is famed for cherry-trees, another for maples, another
805 II(1) | of the look of a tansu or chest of drawers: - ~Pinto kokoro
806 VII | umbers and chocolates and chestnut-browns of old polished timber;
807 VIII(3)| Chi-no-Iké-Jigoku mo,~Tsuragi-no-Yama mo,~
808 VII | as in America the man of Chicago is more quickly recognized
809 VIII(1)| children for their parents: "Chichi koishi! haha koishi!" (See
810 III | Whether a blossom made of chicken feathers, a clay turtle
811 VII | not many. It is one of the chiefe sea-ports of all Iapan;
812 VIII(1)| Ni-sé to chigirishi~Shashin wo nagamé~Omoi-idashité~
813 V | feeling of sex, or for that child-beauty which appeals to the instincts
814 III | clay presented by a lovely child-miko. After the libation, the
815 IV | possibly enter~{p. 86}~a child-mind: the butterflies and birds,
816 X(1) | to the Nono-San," is the child-phrase for praying to the gods.
817 VII | Sumiyoshi there are pretty child-priestesses, and beautiful grounds,
818 X(1) | Nono-San (or Sama) is the child-word for the Spirits of the dead,
819 X | from a manuscript entitled Chin Setsu Shû Ki; or, "Manuscript-Collection
820 VII | bell-tower, - a two-story Chinese-looking structure, where there is
821 III | slip under mats or into chinks: it cost only one cent,
822 IX(1) | or 'spiritual body']." - CHISHÔ-HISHÔ).~ "The Apparent Doctrine
823 VII | an artist, - umbers and chocolates and chestnut-browns of old
824 IX | conclusion that 'all the choir of heaven and furniture
825 VII | lad of twelve - died of cholera during the epidemic. A detchi
826 VII | said to be very cautious in choosing their detchi, or apprentice-clerks.
827 III | antiquity defines to touch that chord of the æsthetic feeling
828 VIII | street-songs of children playing, a chorus of laborers at their toil,
829 VIII | was composed by Kido of Chôshû, one of the leaders in that
830 V | great luminous tones and chromatic blendings which, after a
831 III | welcome smoking-box. American chromo-lithographs decorated the walls. Nevertheless,
832 III | a Japanese cultivator of chrysanthemums. And between whiles I peeped
833 IX(1) | shall become Buddha." - CHÛ-IN-KYÔ."~ "Even swords and things
834 IV | which the Buddhist calls Chû-U.~{p. 89}~It is made of forces,
835 IX | Father of the Christian Church wished might become possible, -
836 IV | the Sun-God of worlds that circled and worshiped in other æons. "
837 III | all were moving, or rather circulating; there was a universal gliding
838 VII | special trains, and has a circulation reaching into most parts
839 VIII(2)| foul-water occupation"); and her citation of the famous Buddhist comparison
840 VIII(1)| outer robe] in, body not clad, but heart-one nun." Hitotsu, "
841 I | quicken the joy of their clamor, to magnify the sonority
842 III | engagements terrified the clamorous Chinese much more than the
843 VII | of Namu Amida Butsu; the clanging of the bell; the deep humming
844 V | views of the Tokaido. She clapped her hands joyfully, and
845 II | through a conch, and the clarion alto of the boy, being very
846 IX | by the curious Buddhist classification of the different short courses
847 V | essential touches, and by the clean, smooth curves of the face
848 VII | wall to protect it during cleaning and dusting operations.
849 VIII | dark pathway~Is ever the clearest-seeing,2 not the simple or dull.~
850 VIII(2)| Clearest-sighted, - that is, in worldly matters.
851 VII | cruel to their Japanese clerks and servants."~ "But not
852 II | say like this?1~p. 37}~VII~Clicked-to1 the locks of our hearts;
853 V | in portraying rocks and cliffs, hills and plains, the Japanese
854 IX | sometimes even to fling back the climber into the primeval slime.~
855 III | selections, including "Les Cloches de Corneville;" but the
856 VIII | bells still, in despite of clocks and watches, mark~{p. 187}~
857 III | ATLANTIC MONTHLY. Looking closer, I saw "Vol. V. Boston:
858 VI | than father. We had good clothes and good food; and we never
859 VIII(1)| murakumo, hana ni kazé (cloud-masses to the moon; wind to flowers);
860 I | mingled into one enormous cloudy whirl. Tada, astonished
861 IX | still power to~{p. 263}~clutch the climbing feet, - sometimes
862 VII | perhaps, the outside of a coal-shed, nothing dingier-looking
863 I | gazed, that broadened as a coast-line broadens to the eyes of
864 VII | year; and its inland and coasting trade are immense. Almost
865 IV | pour their thunder upon the coasts of another world. Transmigration -
866 VII | peasant in straw hat and straw coat, - like the peasants of
867 VII | and damp better than any coating of paint or stucco could
868 V | beliefs or thoughts, - to coax it to jump to a conclusion, -
869 VI | NINGYÔ-NO-HAKA~ MANYEMON had coaxed the child indoors, and made
870 X | therefore; and tried, first by coaxing, and then by threatening,
871 III | mechanical toys. A group of cocks and hens made of paper were
872 I | entirely outside of written codes. A peasant girl, before
873 VI | two, and in it is put a coffin containing only a little
874 X(2) | dead are buried in wooden coffins of a form unknown in the
875 IX | which are physiologically coincident with minute nervous shocks.
876 X(1) | name of the smallest of coins = 1/10 of 1 cent. It was
877 VIII | simple or dull.~p. 204}~Coldly seen from without our love
878 XI | that immense, immeasurable collapse of Self into the blind oblivious
879 VII | much silk binding, and a collar cut low in front. It is
880 V | essay upon the Japanese art collections in the National Library
881 III | curio-dealers, and by private collectors. The great captains - Oda
882 V | of the Ukiyo-yé school of color-printing. He remarked that even the
883 IX(1) | composed of numerous colors, is colorless; while pleasurable and painful
884 VII | lesson of perfect taste combined with inexhaustible variety.
885 VI | child had been kneeling felt comfortably warm.~ Manyemon answered: - ~ "
886 III | resting-houses built to command the finest points of view;
887 I | Let it burn, lads!" he commanded, "let it be! I want the
888 III | thirty-five years ago: "Its commanding position, its wealth, its
889 I | the giver, and pictures commemorating the fulfillment of prayers
890 III | pictures of horses were always commenced with the tail. I saw a kind
891 V | aggression and brutality. When we commend the character of certain
892 V | profiles, we are really commending the traits that mark a race
893 V | do not look bad," was her comment. "But they seem so much
894 VIII | stands, - in despite of commentators, - what more could be unselfishly
895 III | display as spiritless, and commented on the unheroic port of
896 III | I found I should have to commit the rudeness of stepping
897 IX | reborn, - what it is that commits faults and what it is that
898 VII | Occidental recognizes only the commoner forms of it, - chiefly those
899 VIII | Japanese poetry oven as commonplaces and conventionalisms. Such
900 I | there were no means of quick communication between district and district,
901 I | by which many village communities were ruled in pre-Meiji
902 II | shall he choose to be his companion for life?~ One more example: - ~
903 VIII | preparing his plans at Kyôto, in company with his friend Saigô, Kido
904 VII | of the "Right Honourable Companye, ye marchants of London
905 VII | in gardens, - there being comparatively little space for gardens
906 VIII | them appears only when we compare their teaching as to things
907 III | movements, - not for correcting, comparing, improving: the image in
908 IX | individual being, - supreme compassion, - perfect benevolence:
909 IV | forget having a body. Cold compels painful notions of solidity;
910 IX | the irony of Huxley, "what compensation does the Eohippus get for
911 IX | have a conception nor are competent to form any, - back to the
912 X | documents: especially the compiler of the curious collection
913 V | ideas: the public will even complain if fresh ideas be not regularly
914 V | and perspective of very complicated plants being admirably given,
915 III | especially those of holy days, compose a large part of the pleasures
916 III | quick vanishing of all that composes a Japanese festival-night
917 IV | cells. And the human soul? A composite of quintillions of souls.
918 IV | each and all, infinite compounds of fragments of anterior
919 VIII | Only the educated Buddhist comprehends the deeper teaching that
920 V | been made somewhat more comprehensible to us than it could have
921 III | to our Western method of computing age from the date of~{p.
922 IX | fundamental doctrine of the concatenation of cause and effect contains
923 I | sloped down in a huge green concavity, as if scooped out, to the
924 VIII(2)| is compared to a darkness concealing the Right Way.~
925 IX(1) | with nebular diffusion and concentration, from expired systems to
926 X | MEMBERS OF THE TWO FAMILIES CONCERNED.]~[Family of Genzô.]~
927 II | sonorous as if boomed through a conch, and the clarion alto of
928 VIII | which this paper may fitly conclude. I remember that when, I
929 V | abstract rather than the concrete charm of childhood.~ In
930 X | Afterwards, the said Kwanzan Sama condescended to honor this temple with
931 III | interested me; for, although condoned by Buddhism, the suicide
932 II | bosoms.~After which mutual confidence the illusion naturally deepens;
933 VII | outgrowing, Yokohama. It is confidently predicted, both by foreigners~{
934 X | night when he was in a very confiding mood, she persuaded him
935 VII | silk stores are especially confined within doors, - and their
936 IX | be inscrutable, it partly confirms the Buddhist teaching of
937 IX | be~p. 214}~at every page confronted by seemingly hope. less
938 VII | trades and industries are congregated still, according to ancient
939 IX | of holiness, for example, conies the memory of a certain
940 III | containing high rocks and islets connected by bridges of the strangest
941 III | think of beauty only in connection with costliness, with stability,
942 III | attended with unpleasant consequences. Of course the yielding
943 V | no small degree upon the conservation and cultivation of the national
944 VII | this sober and sensible conservatism delighted me. The competitive
945 IV | without tribute; - souls conservative, delicate, loyal to empire
946 II | Japanese poetical metre consists of simple alternations of
947 IX | plants and trees, - what consolation can we find in the assurance
948 VII | has been well called the Constantine of Japanese Buddhism; for
949 VII | dwindle away before the constantly increasing power of the
950 V | appears only in the study of constants, generalities, types. And
951 IX | actually place them in remote constellations, - declaring that the Path
952 V | those variations of feature constituting what we call "expression"
953 VII | be no speculation in such constructions, as there has been at Tôkyô:
954 IV | dissolves and continually constructs personality has always been
955 XI | must not find delight in contemplating the works and the deeds
956 IX | expresses the general thought of contemporary Buddhism in Japan.~ ~
957 V | do so.1 Those pictures, I contend, are true, and reflect intelligence,
958 VII | in the evening; he must content himself with the simplest
959 X(1) | By "thirteenth" in the context the reader must understand
960 IX | Something of personal mentality continues to float vaguely here, -
961 VIII | three lives,~And makes a contract for two - the crafty-smiling
962 VII | though its present name, a contraction of Oye no Saka, meaning
963 X | to my questions did not contradict the~{p. 271}~statements
964 IX | teaching.~ ~ The apparent contradiction of the foregoing statements
965 IX | seemingly hope. less riddles and contradictions. We find a doctrine of rebirth;
966 III | is generally a powerful contralto; and the deep tones are
967 VII | which Ôsaka industry has not contributed something. This was probably
968 III | enchantment puts human grace under contribution. Children who on other occasions
969 III | brains; but each individual contributor to the public effort works
970 VII | nook of chambers seemingly contrived to catch and keep the feeling
971 VI | feeling is being kept under control.~ "There were six of us
972 VIII | words unkind: some ingwa controlled my tongue!~Evidently this
973 VIII | oven as commonplaces and conventionalisms. Such an exquisite thing
974 VII | elsewhere had become for me conventionally familiar, here seemed but
975 XI | men, nor in hearing their converse, nor in observing the puppet-play
976 III | attract no attention are converted into fairies by a, few deft
977 I | word "ghost-house" will convey, better than such terms
978 I | attaching to them cannot be conveyed by translation. The so-called "
979 IV | altitude of Gothic glooms. Coöperation among all these is not to
980 IV | Past. But the Why!~ The cooing voice of a little girl dissolves
981 X(1) | The cooking-place in a Japanese kitchen. Sometimes
982 III | like fortress walls, but coped with a coping or rooflet
983 III | walls, but coped with a coping or rooflet of blue tiles;
984 I | the crow, and bound with a cord of mulberry-paper. And in
985 IX | still entwined by the fast cords of lust. One must not wish
986 VII | there is one purely foreign corner, - the old Concession, dating
987 III | including "Les Cloches de Corneville;" but the noises produced
988 VII | is dressed with the most correct taste in the latest and
989 III | of the period were thus corrected: "Although now known to
990 III | digital movements, - not for correcting, comparing, improving: the
991 V | assured of the absolute correctness of every step in the mental
992 VII | bookkeepers, cashiers, and correspondents squatting before little
993 IX | all other conditions are correspondingly improved; and the grosser
994 V | incident of the evening, - the corroboration of these adverse criticisms
995 IX | the present world is too corrupt to allow of a perfect life,
996 VII | self-sacrifice. Although much corruption undoubtedly exists in the
997 II | softly trembles down in coruscations of fractional notes; singing
998 VIII | certain Buddhist theories of cosmical law.~ The man of science
999 III | commonest instead of the costliest of experiences, - the divine
1000 III | only in connection with costliness, with stability, with "firm
1001 VIII | or the enameling upon a costly vase, - may all relate,
1002 III | morning mist; and a peasant's cottage perched on the verge of
1003 VII | empire; but it remains, as Count Okuma remarked in a recent
1004 V | faces, and although fine countenances frequently hide small souls, "
1005 VII | serves at once for chairs and counter. Scores of barefooted light-limbed
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