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| Alphabetical [« »] word 49 words 38 wore 27 work 35 workbench 1 workboxes 1 worked 6 | Frequency [« »] 35 treated 35 twenty 35 wont 35 work 34 arrived 34 breath 34 ceased | Émile Zola Nana Concordances work |
Chap.
1 1| delicious baby, with a wicker–work burlet on her head and a 2 1| s success, he had set to work to talk enthusiastically 3 2| her son. Virtue and hard work were still the only things 4 2| ladies had again set to work dipping lumps of sugar in 5 2| between her knees and set to work munching her sweetmeats, 6 3| very late; he had so much work on hand! The journalist 7 3| pitying things to him.~“You work too hard. You ought to rest 8 3| our age we ought to leave work to the young people.”~“Work! 9 3| work to the young people.”~“Work! Ah yes, to be sure, work!” 10 3| Work! Ah yes, to be sure, work!” he stammered at last. “ 11 3| last. “Always plenty of work.”~He began to pull himself 12 3| that reason. It refers to work in factories, and I was 13 4| and now she would have her work cut out for the remainder 14 5| asked Nana, again setting to work to make up her arms and 15 5| on the ground, busily at work about Nana’s leg, while 16 6| when she was a slipshod work–girl on the Paris pavements. 17 6| about it. Nana had set to work buttoning the dressing jacket 18 6| right, eh?”~“Oh, SHE’LL work the oracle! But it’s no 19 8| shop–boy going late to his work, threw her a passing greeting:~“ 20 8| need fear nothing! I’ll work for both of us!”~But from 21 8| indescribable filth. No household work had been done for a week; 22 8| pricks on them: you don’t work. Now then, dress!”~“But 23 9| Barillot and once more set to work swearing and hammering the 24 9| want to talk; WE are at work. Barillot, if there’s any 25 9| mysterious forces were at work within, and Nana began slowly 26 9| hear her broom wildly at work on the mildewed pantiles 27 10| they became. Julien set to work to pour out the champagne 28 10| up silver or ivory inlaid work, bringing into view the 29 11| Nevertheless, they made poor enough work of it. Some men let themselves 30 11| they were in no hurry to work for the benefit of a dirty 31 13| in gold and silver beaten work—it should suggest a great 32 13| him.~“Why? The moment a work of art’s in question I don’ 33 13| when he was alone he set to work and searched. Finding nothing 34 13| corners and the gold lace–work surrounding the panels were 35 13| bestrode an abyss, a Cyclopean work which cost millions of money