Chap.

 1        1|        with long–fringed scalloped hangings, remained untenanted. The
 2        2|     visible rosewood furniture and hangings and chairbacks of figured
 3        3|        First Empire furniture, its hangings and chair coverings of yellow
 4        3|            how she would alter the hangings, the seats—everything, in
 5        5|             amid all the luxury of hangings and mirrors, he had not
 6        7|        hung about the folds of the hangings. Now and again, in order
 7        7|         rosewood furniture and its hangings and chair coverings of figured
 8        7|          remembered it now: it had hangings of red “andrinople,” and
 9        9|            protect the neighboring hangings. In fact, there was no end
10       10|   beautiful objects—lovely Eastern hangings, old credences, huge chairs
11       10|        warm atmosphere which thick hangings helped to produce. A window,
12       10|     evidence, and there were thick hangings which deadened every sound.
13       10|      artistic objects. Against the hangings of pale rose–colored silk—
14       10|        bronzes, embroidered silks, hangings of the finest needlework.
15       10|     decorated ceiling, its Gobelin hangings, its buffet blazing with
16       10|            soft glow over the rosy hangings and the lacquer and old
17       10|            behind the curtains and hangings was languid with warmth.
18       12| upholsterers were still nailing up hangings, and toward nine at night,
19       12|       furniture, its yellow velvet hangings, its moldy ceiling through
20       12|           Beneath the Genoa velvet hangings, the gilding and the paintings,
21       13|           of the room, and the red hangings, the deep divans, the lacquered
22       13|       tassels and fringes, and the hangings should be caught up to the
23       13|         the tea–rose velvet of the hangings. These last were of that