Chap.

1    5|       could soberly survey the scenes before as in perspective,
2    5|       And love! What diverting scenes would it produce - Pantaloon'
3    6|    have retired from the noisy scenes of dissipation; but, unless
4   12|       do people hurry to noisy scenes, and crowded circles? I
5   12| consequence is obvious; in gay scenes of dissipation we meet the
6   13|      and describe meretricious scenes, all retailed in a sentimental
7   13|     unnatural and meretricious scenes sketched by the novel writers
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