N.
1 <LIV2| 1. With deep satisfaction,
2 <LIV2| 10. In truth, artistic masterpieces
3 <LIV2| 11. Souls ennobled, elevated
4 <LIV2| 12. Beloved children, crown
5 <LIV2| 13. Seek God here below in
6 <LIV2| 14. Even without making it
7 <LIV2| 15 In order that these Our
8 <LIV2| 2. How delightful your presence
9 <LIV2| 3. Upon crossing the threshold
10 <LIV2| 4. It is needless to explain
11 <LIV2| 5. The function of all art
12 <LIV2| 6. Thus it follows that any
13 <LIV2| 7. The greater the clarity
14 <LIV2| 8. Naturally, We are far from
15 <LIV2| 9. In this manner, the great
16 <LIV2| which have always been abodes of art and religion at the
17 | above
18 <LIV2| you and your families an abundance of heavenly favors and may
19 <LIV2| ideal and true, artistic accomplishment. Thus, the more an artist
20 <LIV2| in a certain intrinsic 'affinity' of art with religion, which
21 <LIV2| without making it a specific aim, endeavor to educate men'
22 | always
23 | among
24 | another
25 <LIV2| heavenly favors and may the Apostolic Blessing which We impart
26 <LIV2| culture it has never ceased to appreciate art, to surround itself
27 <LIV2| effectiveness, lyricism and ardor that, perhaps, is not contained
28 <LIV2| daily life-often harsh and arduous-its fullness and a courageous
29 | became
30 | because
31 | been
32 <LIV2| works as a tribute of human beings to God's Majesty in His
33 <LIV2| masterpieces were known as the "Bible of the people," to mention
34 <LIV2| favors and may the Apostolic Blessing which We impart upon you
35 <LIV2| God. Whatever exists is bound to Him by an essential relationship.
36 <LIV2| all art lies in fact in breaking through the narrow and tortuous
37 <LIV2| can understand. Strive to bring men closer to one another.
38 | can
39 <LIV2| mosaics and the facade of the Cathedral of Orvieto. These and other
40 <LIV2| universal culture it has never ceased to appreciate art, to surround
41 <LIV2| torment-one of the essential characteristics of art, which consists in
42 <LIV2| examples as the windows of Chartres, the door of Ghiberti (by
43 <LIV2| 12. Beloved children, crown your artistic ideals
44 <LIV2| truths and the grace of Jesus Christ. This is one of the reasons
45 <LIV2| exchange of services between Christianity and art! From their Faith
46 <LIV2| Sovereign Pontiffs, and the Church in general, honored and
47 <LIV2| to God's Majesty in His churches, which have always been
48 <LIV2| 7. The greater the clarity with which art mirrors the
49 <LIV2| understand. Strive to bring men closer to one another. May the
50 <LIV2| within due limits, the collaborator of its divine mission, preserving
51 <LIV2| express it in sound, in color, or in plays for the masses,
52 <LIV2| families, by reason of your coming to Us on the occasion of
53 <LIV2| threshold of this house of the common Father, you felt as though
54 <LIV2| continuous centuries they communicated and spread the truths contained
55 <LIV2| characteristics of art, which consists in a certain intrinsic '
56 <LIV2| proper to those chosen to contemplate, to enjoy and to express
57 <LIV2| hearts to the Faith when for continuous centuries they communicated
58 <LIV2| arduous-its fullness and a courageous faith. ~
59 <LIV2| beauty and harmony of God's creation. ~
60 <LIV2| nor nature without its Creator. Harmonize instead the finite
61 <LIV2| 3. Upon crossing the threshold of this house
62 <LIV2| 12. Beloved children, crown your artistic ideals with
63 <LIV2| As the heir of universal culture it has never ceased to appreciate
64 <LIV2| in itself to give to your daily life-often harsh and arduous-its
65 <LIV2| satisfaction, beloved sons and daughters, promoters of the figurative
66 <LIV2| 1. With deep satisfaction, beloved sons
67 <LIV2| vain one, indeed-aimed at denying or suppressing any relation
68 <LIV2| preserving and elevating its destiny, which is to guide the soul
69 <LIV2| figurative arts, We welcome your devout homage and that of your
70 <LIV2| truths inaccessible, at least directly, to the humble people. ~
71 <LIV2| by art, are thus better disposed to receive the religious
72 | Do
73 <LIV2| art, to make art, within due limits, the collaborator
74 <LIV2| educate men's hearts-so easily inclined toward materialism -
75 <LIV2| not only translate into easy reading and universal language
76 <LIV2| specific aim, endeavor to educate men's hearts-so easily inclined
77 <LIV2| of these truths with an effectiveness, lyricism and ardor that,
78 <LIV2| Thus it follows that any effort-and it would be a vain one,
79 <LIV2| 11. Souls ennobled, elevated and prepared by art, are
80 <LIV2| mission, preserving and elevating its destiny, which is to
81 <LIV2| communicate the intimate sense and emotion of these truths with an
82 <LIV2| harmonies, to communicate its emotions. ~
83 <LIV2| the narrow and tortuous enclosure of the finite, in which
84 <LIV2| making it a specific aim, endeavor to educate men's hearts-so
85 <LIV2| chosen to contemplate, to enjoy and to express God's perfections. ~
86 <LIV2| 11. Souls ennobled, elevated and prepared by
87 <LIV2| infinite, the temporal with the eternal, man with God, and thus
88 <LIV2| to mention such noted examples as the windows of Chartres,
89 <LIV2| and Redeemer. Marvelous exchange of services between Christianity
90 <LIV2| prescind from God. Whatever exists is bound to Him by an essential
91 <LIV2| 4. It is needless to explain to you-who feel it within
92 <LIV2| mentioned, artists must treat explicitly religious subjects. On the
93 <LIV2| Ravenna mosaics and the facade of the Cathedral of Orvieto.
94 <LIV2| 8. Naturally, We are far from thinking that in order
95 <LIV2| this house of the common Father, you felt as though you
96 <LIV2| an abundance of heavenly favors and may the Apostolic Blessing
97 <LIV2| needless to explain to you-who feel it within yourselves, often
98 <LIV2| kindness and a spiritual feeling; you to whom it is given
99 <LIV2| of the common Father, you felt as though you were in your
100 <LIV2| contained in even the most fervent preaching. ~
101 <LIV2| daughters, promoters of the figurative arts, We welcome your devout
102 <LIV2| 6. Thus it follows that any effort-and it would
103 <LIV2| these Our wishes may be fulfilled and God glorified in your
104 <LIV2| 5. The function of all art lies in fact
105 <LIV2| ideals in the masterpieces gathered here throughout the centuries.
106 <LIV2| Pontiffs, and the Church in general, honored and continue to
107 <LIV2| those Pontiffs who shone as generous patrons of the arts, and
108 <LIV2| of Chartres, the door of Ghiberti (by happy expression known
109 <LIV2| feeling; you to whom it is given to speak a language which
110 <LIV2| may be fulfilled and God glorified in your art, We invoke upon
111 <LIV2| the beauty but also of the goodness of God, the Revealer and
112 <LIV2| religious truths and the grace of Jesus Christ. This is
113 <LIV2| artistic beauty one may wish to grasp in the world, in nature
114 <LIV2| 9. In this manner, the great masters of Christian arts
115 <LIV2| its destiny, which is to guide the soul to God. ~
116 <LIV2| religious subjects. On the other hand, one cannot question the
117 <LIV2| the door of Ghiberti (by happy expression known as the
118 <LIV2| of art, to understand its harmonies, to communicate its emotions. ~
119 <LIV2| nature without its Creator. Harmonize instead the finite with
120 <LIV2| particularly of the beauty and harmony of God's creation. ~
121 <LIV2| to your daily life-often harsh and arduous-its fullness
122 | have
123 | he
124 <LIV2| from the fullness of Our heart be a promise of them.~
125 <LIV2| inspirations. They drew hearts to the Faith when for continuous
126 <LIV2| endeavor to educate men's hearts-so easily inclined toward materialism -
127 <LIV2| families an abundance of heavenly favors and may the Apostolic
128 <LIV2| Roman pontificate. As the heir of universal culture it
129 | Hence
130 <LIV2| perhaps, has art reached its highest peaks as it has in these
131 | Him
132 | himself
133 <LIV2| truths contained in the Holy Scriptures, truths inaccessible,
134 <LIV2| We welcome your devout homage and that of your families,
135 <LIV2| honored and continue to honor art and to offer its works
136 <LIV2| and the Church in general, honored and continue to honor art
137 <LIV2| crossing the threshold of this house of the common Father, you
138 | How
139 <LIV2| at least directly, to the humble people. ~
140 <LIV2| to the infinite for his hungry soul. ~
141 <LIV2| success in striving toward its ideal and true, artistic accomplishment.
142 <LIV2| exclusively "natural" or "immanent." ~
143 <LIV2| finite, in which man is immerged while living here below,
144 <LIV2| between art and religion must impair art itself. Whatever artistic
145 <LIV2| Apostolic Blessing which We impart upon you from the fullness
146 <LIV2| Holy Scriptures, truths inaccessible, at least directly, to the
147 <LIV2| educate men's hearts-so easily inclined toward materialism -toward
148 <LIV2| vocation, for which you are indebted to God, lead you to this
149 <LIV2| it would be a vain one, indeed-aimed at denying or suppressing
150 <LIV2| Faith they drew sublime inspirations. They drew hearts to the
151 | instead
152 <LIV2| religion, which revitalize and integrate them. The artist is of himself
153 <LIV2| life nor in art - be it intended as an expression of the
154 <LIV2| of the subject or as an interpretation of the object-the exclusively "
155 <LIV2| they also communicate the intimate sense and emotion of these
156 | into
157 <LIV2| which consists in a certain intrinsic 'affinity' of art with religion,
158 <LIV2| glorified in your art, We invoke upon you and your families
159 <LIV2| and you who continue the Italian artistic tradition. ~
160 <LIV2| truths and the grace of Jesus Christ. This is one of the
161 <LIV2| interpreters of God in the sense just mentioned, artists must
162 <LIV2| toward materialism -toward kindness and a spiritual feeling;
163 <LIV2| the centuries. Nothing is lacking therefore to make this meeting
164 <LIV2| you are indebted to God, lead you to this mission: a mission
165 | least
166 <LIV2| remembrance-gift which you are leaving with Us. ~
167 <LIV2| The function of all art lies in fact in breaking through
168 <LIV2| there is not, neither in life nor in art - be it intended
169 <LIV2| itself to give to your daily life-often harsh and arduous-its fullness
170 <LIV2| to make art, within due limits, the collaborator of its
171 <LIV2| Thus, the more an artist lives religion, the better prepared
172 <LIV2| which man is immerged while living here below, and in providing
173 <LIV2| truths with an effectiveness, lyricism and ardor that, perhaps,
174 <LIV2| of human beings to God's Majesty in His churches, which have
175 <LIV2| 14. Even without making it a specific aim, endeavor
176 <LIV2| 9. In this manner, the great masters of Christian
177 <LIV2| the Revealer and Redeemer. Marvelous exchange of services between
178 <LIV2| color, or in plays for the masses, such beauty cannot prescind
179 <LIV2| In this manner, the great masters of Christian arts became
180 <LIV2| hearts-so easily inclined toward materialism -toward kindness and a spiritual
181 <LIV2| Bible of the people," to mention such noted examples as the
182 <LIV2| of God in the sense just mentioned, artists must treat explicitly
183 <LIV2| the clarity with which art mirrors the infinite, the divine,
184 | more
185 <LIV2| the Roman and Ravenna mosaics and the facade of the Cathedral
186 | most
187 <LIV2| therefore to make this meeting mutually delightful between the Successor,
188 <LIV2| in breaking through the narrow and tortuous enclosure of
189 <LIV2| human," the exclusively "natural" or "immanent." ~
190 <LIV2| 8. Naturally, We are far from thinking
191 <LIV2| 4. It is needless to explain to you-who feel
192 | neither
193 <LIV2| people," to mention such noted examples as the windows
194 | Nothing
195 <LIV2| an interpretation of the object-the exclusively "human," the
196 <LIV2| your coming to Us on the occasion of the sixth Roman quadrennial
197 <LIV2| continue to honor art and to offer its works as a tribute of
198 | often
199 <LIV2| facade of the Cathedral of Orvieto. These and other masterpieces
200 | own
201 <LIV2| expression known as the Door of Paradise), the Roman and Ravenna
202 <LIV2| perfections of God, and particularly of the beauty and harmony
203 <LIV2| Pontiffs who shone as generous patrons of the arts, and you who
204 <LIV2| art reached its highest peaks as it has in these subjects. ~
205 <LIV2| speak a language which all peoples can understand. Strive to
206 <LIV2| were in your own world, perceiving yourselves and your ideals
207 <LIV2| of himself a privileged person among men, but the Christian
208 <LIV2| in sound, in color, or in plays for the masses, such beauty
209 <LIV2| and We express to you Our pleasure for the remembrance-gift
210 <LIV2| tradition itself of the Roman pontificate. As the heir of universal
211 <LIV2| the greater will be its possibility for success in striving
212 <LIV2| in even the most fervent preaching. ~
213 <LIV2| masses, such beauty cannot prescind from God. Whatever exists
214 <LIV2| 2. How delightful your presence is to Us is shown by the
215 <LIV2| collaborator of its divine mission, preserving and elevating its destiny,
216 <LIV2| The artist is of himself a privileged person among men, but the
217 <LIV2| fullness of Our heart be a promise of them.~
218 <LIV2| beloved sons and daughters, promoters of the figurative arts,
219 <LIV2| chosen one, because it is proper to those chosen to contemplate,
220 <LIV2| living here below, and in providing a window to the infinite
221 <LIV2| occasion of the sixth Roman quadrennial meeting, and We express
222 <LIV2| the other hand, one cannot question the fact that never, perhaps,
223 <LIV2| Paradise), the Roman and Ravenna mosaics and the facade of
224 <LIV2| never, perhaps, has art reached its highest peaks as it
225 <LIV2| only translate into easy reading and universal language the
226 <LIV2| that of your families, by reason of your coming to Us on
227 <LIV2| Christ. This is one of the reasons why the Sovereign Pontiffs,
228 <LIV2| thus better disposed to receive the religious truths and
229 <LIV2| of God, the Revealer and Redeemer. Marvelous exchange of services
230 <LIV2| denying or suppressing any relation between art and religion
231 <LIV2| bound to Him by an essential relationship. Hence, there is not, neither
232 <LIV2| you Our pleasure for the remembrance-gift which you are leaving with
233 <LIV2| religion, which in certain ways renders artists interpreters of
234 <LIV2| the goodness of God, the Revealer and Redeemer. Marvelous
235 <LIV2| those of religion, which revitalize and integrate them. The
236 | same
237 <LIV2| 1. With deep satisfaction, beloved sons and daughters,
238 <LIV2| truths contained in the Holy Scriptures, truths inaccessible, at
239 <LIV2| 13. Seek God here below in nature
240 <LIV2| Redeemer. Marvelous exchange of services between Christianity and
241 <LIV2| unworthy, of those Pontiffs who shone as generous patrons of the
242 <LIV2| your presence is to Us is shown by the tradition itself
243 <LIV2| Us on the occasion of the sixth Roman quadrennial meeting,
244 | so
245 <LIV2| deep satisfaction, beloved sons and daughters, promoters
246 <LIV2| 11. Souls ennobled, elevated and prepared
247 <LIV2| in order to express it in sound, in color, or in plays for
248 <LIV2| one of the reasons why the Sovereign Pontiffs, and the Church
249 <LIV2| Even without making it a specific aim, endeavor to educate
250 <LIV2| materialism -toward kindness and a spiritual feeling; you to whom it
251 <LIV2| centuries they communicated and spread the truths contained in
252 <LIV2| peoples can understand. Strive to bring men closer to one
253 <LIV2| possibility for success in striving toward its ideal and true,
254 <LIV2| as an expression of the subject or as an interpretation
255 <LIV2| From their Faith they drew sublime inspirations. They drew
256 <LIV2| will be its possibility for success in striving toward its ideal
257 <LIV2| mutually delightful between the Successor, though unworthy, of those
258 <LIV2| noble and worthy that it is sufficient in itself to give to your
259 <LIV2| indeed-aimed at denying or suppressing any relation between art
260 <LIV2| ceased to appreciate art, to surround itself with works of art,
261 <LIV2| finite with the infinite, the temporal with the eternal, man with
262 <LIV2| TEXT~
263 | their
264 | there
265 | therefore
266 <LIV2| Naturally, We are far from thinking that in order to be interpreters
267 <LIV2| 3. Upon crossing the threshold of this house of the common
268 | through
269 | throughout
270 <LIV2| and religion at the same time. ~
271 <LIV2| yourselves, often as a noble torment-one of the essential characteristics
272 <LIV2| breaking through the narrow and tortuous enclosure of the finite,
273 <LIV2| other masterpieces not only translate into easy reading and universal
274 <LIV2| mentioned, artists must treat explicitly religious subjects.
275 <LIV2| to offer its works as a tribute of human beings to God's
276 <LIV2| yourselves. Do not vainly try to give the human without
277 <LIV2| between the Successor, though unworthy, of those Pontiffs who shone
278 <LIV2| effort-and it would be a vain one, indeed-aimed at denying
279 <LIV2| within yourselves. Do not vainly try to give the human without
280 <LIV2| another. May the artist's vocation, for which you are indebted
281 <LIV2| religion, which in certain ways renders artists interpreters
282 <LIV2| the figurative arts, We welcome your devout homage and that
283 | when
284 | while
285 | whom
286 | why
287 <LIV2| below, and in providing a window to the infinite for his
288 <LIV2| such noted examples as the windows of Chartres, the door of
289 <LIV2| artistic beauty one may wish to grasp in the world, in
290 <LIV2| In order that these Our wishes may be fulfilled and God
291 <LIV2| a mission so noble and worthy that it is sufficient in
292 | would
293 <LIV2| is needless to explain to you-who feel it within yourselves,
|