Chapter

 1  2,1|     could only have seen, in the dark cell of the Buytenhof, his
 2  4,2|          the sallow face and the dark eyes of the young man, who
 3  4,3|      muttered to himself, with a dark frown and setting the spurs
 4  5,1|          having for background a dark grove of gigantic elms.
 5  6,2|    species approaching even to a dark nut brown. It was, therefore,
 6  6,2|         brown, and from brown to dark brown. ~By the next year
 7  7,1|        windows lit up. ~Then two dark figures appeared. ~One of
 8  8,2|   forward to. ~As soon as it was dark he got up. ~He then climbed
 9  8,2|    window. ~Boxtel put a lighted dark lantern into his pocket,
10  9,2|         At the end of the yard a dark mass, tinted with a dingy
11  9,2|       dawn, rose before him, its dark outlines standing out in
12 14,2| melancholy and gloomy as night's dark mantle. ~The note, as we
13 15,1|        the door, he began in the dark to talk to the prisoner. ~
14 20,2|      possibly be alluding. ~"The dark beauty with a slender waist,
15 21,1|       the prison had been heavy, dark, and lowering, as it were,
16 21,2|       answered Rosa, "it is very dark!" ~"Brown?" ~"Darker than
17 21,2|         Rosa, darker? Thank you. Dark as ---- " ~"Dark as the
18 21,2|      Thank you. Dark as ---- " ~"Dark as the ink with which I
19 22,2|       the level of the grating a dark lantern, which she had lit
20 23,2|   Cornelius. By the light of the dark lantern he saw the tulip
21 26,2|           who drew back into the dark corner, as if he wished
22 27,1|          resumed his seat in the dark corner, where he had himself
23 31,1|        succeeded in his object. ~Dark crimson velvet, dark purple
24 31,1|    object. ~Dark crimson velvet, dark purple silk, and jet-black