Part

 1 Intro |           making him Director of their New Art School at Ueno, Tokyo.
 2 Intro |             sagas. At the same time, a new world is opened to future
 3 Range |               also tributary, bringing new symbolism, new organisation,
 4 Range |                bringing new symbolism, new organisation, new powers
 5 Range |           symbolism, new organisation, new powers of devotion, to add
 6 Range |           Advaitism which welcomes the new without losing the old.
 7 Primit|               our æsthetic energy in a new effort on another and higher
 8 Primit|              Japan has made always for new life and inspiration: it
 9 Primit|               to-day face to face with new problems, for which she
10 Confuc|                resistive powers of the new citizen, and leaves him
11 Confuc|             time Buddhism called for a new and grand expression in
12 Taoism|          spirit of Laoism was rampant. New commentaries on the Tao-tei-king
13 Taoism|        characteristics. We know that a new range of subjects has been
14 Buddhi|          popular interpretation of the new doctrine and discipline.~
15 Buddhi|                island, thus creating a new stratum of Indo-Chinese
16 Buddhi|                 and its emergence in a new dynamic form. And now, in
17 Asuka |              brought the waters of the new faith to China.~It is, of
18 Asuka |         regarded as the beginning of a new glory. We owe the first
19 Asuka |           being made as would meet the new needs. The stupa, through
20 Asuka |               themselves to evolving a new type, by constant changing
21 Asuka |            notions, in defiance of the new religion. The Otomos, who
22 Asuka |            these, therefore, we find a new movement in sculpture, which
23 Nara  |               PERIOD~700 TO 800 A.D.~A NEW era was to be born. The
24 Nara  |                bursts forth now into a new life, which amalgamates
25 Nara  |            from India, inaugurated the new school known as the Hosso
26 Nara  |              the emperors, beginning a new régime in 645, which lasted
27 Nara  |           country was opened up with a new energy. Roads were built;
28 Nara  |           wider plains of the Yamato a new capital, now known as the
29 Nara  |             general development of the new form of the Northern movement.~
30 Heian |                Heian period, we find a new wave of Buddhist development,
31 Heian |         paragraph continues] Japan the new philosophical standpoint
32 Heian |          Nature were now regarded in a new light, for in every object
33 Heian |               but made possible by the new teaching as manifestations
34 Heian |        adoption of Hindu deities.~This new conception of the divinities
35 Heian |          succumbed in the main to this new influence, inasmuch as its
36 Fujiwa|              898 A.D. With it begins a new development in Japanese
37 Fujiwa|                Chinese institutions. A new era began, in which Japan
38 Fujiwa|                religious affairs.~This new development is marked in
39 Fujiwa|               lotus-stem. Such was the new movement, which, however
40 Fujiwa|              of femininity, produced a new type, very different from
41 Fujiwa|           ministers consecrated to the new Jodo, or Faith in the Land
42 Kamaku|                 in 1186 A.D., begins a new phase of Japanese life,
43 Kamaku|              the militant monks of his new order. The Indian idea of
44 Kamaku|               the requirements of this new age. The Jodo ideal now
45 Kamaku|               populace, who under this new régime were becoming more
46 Ashika|             once. We come now upon the new interpretations of the two
47 Ashika|         justification of all, plus the new spirit of individualism,
48 Ashika|           centrifugal impulse. Strange new types create themselves.
49 Ashika|               in their place - for the new idea was to divest art of
50 Ashika|                the weavers beating the new web against the wooden beam,
51 Toyoto|                illustrious leader, the new nobility of that period
52 Toyoto|           through the continental war.~New palaces were needed for
53 Toyoto|            palaces were needed for the new daimyos, which, by their
54 Toyoto|        wonderful statesmanship, upon a new régime of simplicity and
55 Toyoto|           about by the upheaval of the new aristocracy, permeated art
56 Tokuga|               tradition of colour. The new Tosa School, however, imitated
57 Tokuga|           Busson trying to formulate a new style by illustrating the
58 Tokuga|              from Chinese traders this new style, already~hardened
59 Tokuga|         impulse which had now made the new school of Realism prominent
60 Tokuga|                was able to combine the~new methods with a style of
61 Meiji |               whose august direction a new ordeal, unlike any in the
62 Meiji |               the vicissitudes of this new age, whose thirty-four years
63 Meiji |              bringing each moment some new and greater programme, surround
64 Meiji |                 Indeed the zeal of the new converts themselves often
65 Meiji |       territories, therefore, that the new spirit of revolution could
66 Meiji |              statesmen who rebuilt~the new Japan were born; to the
67 Meiji |                became one in the great new energy that thrilled the
68 Meiji |            from this source opened out new vistas of humanity. Western
69 Meiji |             eager to clothe herself in new garb, discarding the raiment
70 Meiji |               to the organisers of the new Japan. Not only in their
71 Meiji |              religion, they sought the new ideals of the West, blazing
72 Meiji |              hailed here with the same new delight with which they
73 Meiji |              be made efficient for the new contest. Thus modern Japan
74 Meiji |            Turks, and on the other the new spirit of science and liberalism
75 Meiji |           which,~in the discovery of a new world, the birth of a reformed
76 Meiji |               each struggled to find a new solution of life, and burst
77 Meiji |            into furious welcome of any new scrap of Western religion
78 Meiji |           herself, notwithstanding the new colour which the life of
79 Meiji |               natural outgrowth of the new national vigour, which has
80 Meiji | responsibilities which await us as the new Asiatic Power. Not only
81 Meiji |      reconstruct the national art on a new basis, whose keynote should
82 Meiji |       expression grow wider under this new conception of artistic freedom.
83 Meiji |                and their pictures give new fire and meaning to these
84 Meiji |         Chinese ceramics, but creating new Korin-like dreams in colour.~
85 Meiji |              metal-work, are breathing new life throughout their wide
86 Meiji |              Thus art, in spite of its new conditions of patronage
87 Meiji |               is also~struggling for a new expression, present their
88 Vista |               mean, the false, and the new; China, hurled upon the
89 Vista |            past, seeking there for the new vitality she needs. Like
90 Vista |                 and the raindrops of a new vigour must refresh the
91 Vista |               refresh the earth before new flowers can spring up to