Part

 1 Intro |           taste upon the innumerable Chinese pilgrims who visited her
 2 Intro |              the world - namely, the Chinese - Mr. Okakura is~able to
 3 Intro |              development are largely Chinese, but that the reason of
 4 Intro |         divisible, as he holds, into Chinese learning and Indian religion.
 5 Range |            mighty civilisations, the Chinese with its communism of Confucius,
 6 Range |       Semitic peoples to demonstrate Chinese, as well as Persian, civilisation
 7 Range |            chivalry, Persian poetry, Chinese ethics, and Indian thought,
 8 Range |              this fact animates some Chinese scholars of the present
 9 Range |           abstract of the periods of Chinese history might run as follows: - ~
10 Range |              of the process of early Chinese consolidation preceded by
11 Range |           the Yang-tse. The scene of Chinese succession and culture is
12 Range |         Kublai Khan, overpowered the Chinese dynasty and established
13 Range |           under the influence of the Chinese culture of the Six Dynasties.
14 Primit|            monotonous breadth of the Chinese, and from the tendency to
15 Primit|         modified the tilted roofs of Chinese architecture by the delicate
16 Primit|           the intellectual rôle of a Chinese province or an Indian colony.
17 Primit|            canvas-like curves of the Chinese.~The arrogant menace of
18 Confuc|        natural outcome of a primeval Chinese culture, which had culminated
19 Confuc|              Celestial race.~For the Chinese - who are agricultural Tartars,
20 Confuc|              the Tartars are nomadic Chinese - in settling, untold ages
21 Confuc|          Thus the long succession of Chinese dynasties~is always the
22 Confuc|             the plains, however, the Chinese Tartars still retained a
23 Confuc|         mankind, probably, since the Chinese word for Fate is Mei or
24 Confuc|           inexhaustible power of the Chinese nation. True to this, their
25 Confuc|          Book of Change, Veda of the Chinese race, full of allusions,
26 Confuc|              of death?" According to Chinese ethics, the unit of society
27 Confuc|      illustrating the manners of the Chinese Golden Age, of the three
28 Confuc|              It was by them that the Chinese Empire was consolidated,
29 Confuc|             social intelligence. Any Chinese scholar will recall the
30 Confuc|             now lost, partly because Chinese emperors have had the habit
31 Confuc|              contain descriptions of Chinese mythology and history, and
32 Confuc|              perhaps acquainted with Chinese literature, long before
33 Confuc|             numerous inscriptions in Chinese, showing the facility with
34 Confuc|    afterwards fell.~The vast bulk of Chinese and Korean~immigrants were
35 Confuc|              industrial. Indeed, the Chinese art-consciousness must always
36 Confuc|           create work." This ancient Chinese Veda may be described as
37 Taoism|           complexity of the Southern Chinese nature enabled it to rise
38 Taoism|           been the great strength of Chinese and Japanese art, though
39 Taoism|            the excellence of a great Chinese or Japanese painting lies
40 Taoism|           which holds so much of the Chinese race in its hands today,
41 Taoism|    superstitions which came with the Chinese from their early home, could
42 Taoism|           rise of Taoism, throughout Chinese and Japanese art, whenever
43 Buddhi|          twenty-three Indian, twelve Chinese, and thirteen Japanese schools,
44 Buddhi|         found amongst Mesopotamians, Chinese, and Persians, the last
45 Buddhi|              a greater prominence of Chinese than of the so-called Greek
46 Asuka |          under Kanishka, gave to the Chinese scholar Saian, certain translations
47 Asuka |           the civilised world of the Chinese Southern, or native, dynasty.~
48 Asuka |            of Indian religion in the Chinese garb of the Hâng period
49 Asuka |        building, as observed before, Chinese palaces were changed at
50 Asuka |             and when translated into Chinese forms, under the conditions
51 Asuka |              first outlandish to the Chinese mind, and sculptors like
52 Asuka |             was a distinct school of Chinese sculpture is~manifest from
53 Asuka |              border country as quite Chinese in type, in contrast with
54 Asuka |          style to the influence of a Chinese general, Roko, who had occupied
55 Asuka |           almost free of the rock.~A Chinese poet who visited the place
56 Asuka |           554 A.D. Chiso, a Southern Chinese, is also said to have brought
57 Asuka |            remarkable scholarship in Chinese, but by their clear setting
58 Asuka |              a marvel to Koreans and Chinese. The death of Prince Wumayado
59 Asuka |             types presented to it by Chinese and Korean masters. Contemporary
60 Nara  |         national religion and art on Chinese soil, more than three thousand
61 Nara  |         given phonetic values to the Chinese ideographs, a movement~which,
62 Nara  |             and Persian influence in Chinese decorative art - in the
63 Nara  |            Thus the three streams of Chinese thought flow side by side,
64 Nara  |         follower of Kanshin, a great Chinese monk who founded the Vinaya
65 Fujiwa|         epochs. All that was best in Chinese thought and Indian wisdom
66 Fujiwa|          enjoy an advantage over the Chinese, who are withheld by that
67 Fujiwa|         cease borrowing further from Chinese institutions. A new era
68 Fujiwa|          comparison with the classic Chinese style of the scholars, the
69 Fujiwa|            Japanese pronunciation of Chinese names.~Bhakti. - That love
70 Kamaku|             dynasty, by the Southern Chinese mind), that salvation was
71 Kamaku|            The corresponding word in Chinese is warp, that which is to
72 Ashika|            creations. Similarly, the Chinese mind of the Shu and Hang
73 Ashika| materialistically; whereas the later Chinese mind, as represented by
74 Ashika|              studied language of the Chinese literati.~The human soul,
75 Toyoto|          terror to the people of the Chinese coast; and naturally, to
76 Toyoto|     intercourse with the Koreans and Chinese, through the continental
77 Tokuga|             the immense power of the Chinese mind in breaking away from
78 Tokuga|             then open, to study from Chinese traders this new style,
79 Tokuga|            Yang-tse. Chinnan-ping, a Chinese artist of this school who
80 Tokuga|             in his steps, though his Chinese mannerisms of later Ming
81 Meiji |           which the various waves of Chinese and Indian culture - however
82 Meiji |            works appeared written in Chinese, amongst them Dainihonshi,
83 Meiji |     reverence towards the Indian and Chinese sages, was asked by an antagonist, "
84 Meiji |            cut away those fetters of Chinese and Indian culture which
85 Meiji |         tenacity which preserves the Chinese and Indian ideals in all
86 Meiji |  civilisation that she required. The Chinese War, which revealed our
87 Meiji |      solution in Indian religion and Chinese ethics. The very trend of
88 Meiji |            the lost secrets of early Chinese ceramics, but creating new
89 Vista |         genius, of Indian ideals and Chinese ethics; through the succeeding