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 1 Intro |          marks a distinct era in Indian archæology. His acquaintance
 2 Intro |         the problems peculiar to Indian archæology, however, will
 3 Intro |       influence of the Greeks on Indian sculpture. Representing,
 4 Intro |         actual affinities of the Indian development are largely
 5 Intro |        into Chinese learning and Indian religion. To him, it is
 6 Intro |          in the wake of waves of Indian spirituality. Thus, benefit
 7 Intro |       Exactly how these waves of Indian spirituality have worked
 8 Intro |          so," to quote the great Indian thinker just mentioned, "
 9 Range |  communism of Confucius, and the Indian with its individualism of
10 Range |      Tantrikism, and flooded the Indian peninsula, to tinge its
11 Range |      poetry, Chinese ethics, and Indian thought, all speak of a
12 Range |       The sublime attainments of Indian art, almost effaced as they
13 Range |        Tâng culture, and of that Indian art, then in its splendour,
14 Range |          of combined elements of Indian and old Hâng music. It is
15 Primit|         bring the added power of Indian symbolism to the children
16 Primit|  traditions of solar descent and Indian mythology, with a love of
17 Primit|         overburdened richness of Indian art. That innate love of
18 Primit|          rails so reminiscent of Indian torans, are preserved in
19 Primit|         a Chinese province or an Indian colony. But the rock of
20 Confuc|        his ultimate. Leaving the Indian soul to soar and mingle
21 Confuc|        occurrence of the name in Indian literature, that he only
22 Taoism|        could never have accepted Indian idealism had not Laoism
23 Taoism|        The early teachers of the Indian doctrine in China were mostly
24 Buddhi|                     BUDDHISM AND INDIAN ART~BUDDHISM is a growth.
25 Buddhi|    Vistula, and the twenty-three Indian, twelve Chinese, and thirteen
26 Buddhi|     which they were reached. Any Indian man or woman will worship
27 Buddhi|        in thereby universalising Indian idealism in its highest
28 Buddhi|          highest culture of that Indian thought which was a development
29 Buddhi|          B.C.).~Nagarjuna was an Indian monk, whose name is well
30 Buddhi|      existence of pre-Buddhistic Indian art, ascribing its sudden
31 Buddhi|         but a branch race of the Indian.~The lofty iron pillar of
32 Buddhi|        their Mongolian traits on Indian art, could but bring it
33 Buddhi|   remaining specimens of a great Indian art, which doubtless, thanks
34 Buddhi|         that form into which the Indian national consciousness had
35 Buddhi|      feature in the education of Indian boys of the upper classes.
36 Buddhi|          The second of the great Indian epics, dealing with the
37 Asuka |         the~paragraph continues] Indian Upanishads - in contradistinction
38 Asuka |         heritage from that early Indian philosophy of which Buddhism
39 Asuka |          is said to have been an Indian monk, wielded a great influence
40 Asuka |        of a Gettae father and an Indian mother, and supposed to
41 Asuka |        have been the clothing of Indian religion in the Chinese
42 Asuka |        more to have followed the Indian method of ornamentation,
43 Asuka |  followed a parallel course. The Indian type looked at first outlandish
44 Asuka |       type, in contrast with the Indian type of other places, and
45 Asuka |         on the greatness of that Indian ideal which is to pervade
46 Asuka |     Bodhi-Sattva. He is known in Indian Buddhism as Padmapani, the
47 Nara  |       that distant vision of the Indian Abstract-Universal which
48 Nara  |         faith that liberates the Indian mind in science, and which
49 Nara  |         more than three thousand Indian monks and ten thousand Indian
50 Nara  |    Indian monks and ten thousand Indian families; their great influence
51 Nara  |     there is a permeation of the Indian spirit, when in China Confucians,
52 Nara  |       course, that of the second Indian (monastic) phase. Gensho (
53 Nara  |     prototype in India; for many Indian artists are recorded as
54 Nara  |       the abstract beauty of the Indian model, with the strength
55 Nara  |         biwa (evidently from the Indian "vina"), is so different
56 Nara  | cloisonné mirrors, suggestive of Indian or Persian origin, and innumerable
57 Heian |      influx of Hinduism, so that Indian influence at the period
58 Heian |     possible issues of the great Indian aspiration towards Same-Sightedness (
59 Heian |         loaded with ritual, like Indian architecture, as regulated
60 Heian |       fire. Corresponding to the Indian idea of the period, he has
61 Heian |       rounds of realisation.~The Indian idea of Kali is also represented
62 Heian |       form, in expression of the Indian thought of motherhood -
63 Heian |        The Immovable. One of the Indian names of Siva, similarly,
64 Fujiwa|      best in Chinese thought and Indian wisdom had long found its
65 Fujiwa|          the apprehension of the Indian ideal. And~ ./. now, according
66 Fujiwa|       Japanese, by their greater Indian affinity, enjoy an advantage
67 Kamaku|         monk, as the life of any Indian woman to that of the nun.
68 Kamaku|      monks of his new order. The Indian idea of the Guru, or giver
69 Ashika|         express grandeur, as the Indian worker by his innumerable
70 Ashika|         the spiritual essence of Indian, and imbued with the harmonistic
71 Ashika|          This corresponds to the Indian notion of the Sakti, and
72 Ashika|        in emotion, the Bhakti of Indian thought, as we see it in
73 Ashika|         through Bodhi Dharma, an Indian prince who reached that
74 Ashika|   incense-wood from the farthest Indian islands; even whose iron
75 Ashika|       Ashikaga, representing the Indian trend of the Japanese mind
76 Meiji |     various waves of Chinese and Indian culture - however much colour
77 Meiji |       its individualism based on Indian ideas - as dangerous to
78 Meiji |        his reverence towards the Indian and Chinese sages, was asked
79 Meiji |     those fetters of Chinese and Indian culture which bound her
80 Meiji |        preserves the Chinese and Indian ideals in all their purity
81 Meiji |        seek a higher solution in Indian religion and Chinese ethics.
82 Meiji |        name applied to the great Indian doctrine that all which
83 Vista |          wandering monk. For the Indian ascetic, begging his bread
84 Vista |     simplicity of apparel on the Indian prince, and sets up in China
85 Vista |       more striking still is the Indian story that carries the same
86 Vista |         by her Yamato genius, of Indian ideals and Chinese ethics;