Part
1 Intro | of the statues, all the life and movement of the portrayal
2 Intro | elements, but that great life of the ideal by which it
3 Intro | breathing a single complex life.~Aptly enough, within the
4 Range | the means, not the end, of life.~Down to the days of the
5 Range | which there grew up a common life, bearing in different regions
6 Primit| has made always for new life and inspiration: it is the
7 Primit| living spirit of Freedom, in life, and thought, and art.~It
8 Confuc| Humanity is God, the harmony of life his ultimate. Leaving the
9 Confuc| as it is, to the pastoral life, though by it he approaches
10 Confuc| says, "Knowing not yet of life, how am I to talk of death?"
11 Confuc| choice.~The supreme canon of life was the self-sacrifice of
12 Confuc| some who will recall in the life of Confucius, not only the
13 Confuc| unification and luxurious life. In literature one notes
14 Confuc| representative chiefly of the moral life. Stupendous towers, and
15 Confuc| and history, and show the life and customs of early China.~
16 Confuc| Asiatic art, by her vast life of the Universal and Impersonal,
17 Taoism| foundations, so that~the life of Mencius, the next great
18 Taoism| itself its principle of life and death, inter-related
19 Taoism| the problem of an after~life, and stating that the higher
20 Buddhi| same raindrops may call to life the flowers of many different
21 Buddhi| with their full impetus of life, without for a moment disturbing
22 Buddhi| suffering which is known as life.~But, indeed, both freedom
23 Buddhi| inclusive form of the nation's life. The great Vedantic revival
24 Buddhi| an extreme simplicity of life. The Brahmin villager may
25 Asuka | epitomising the national life of Japan for thirteen centuries
26 Nara | bursts forth now into a new life, which amalgamates the Hoang-Ho
27 Nara | and splendour the actual life of nearly twelve hundred
28 Heian | conceptions, the sannyasin~ ./. life is a sequestration, and
29 Heian | notion that the everyday life is not like but is the true
30 Heian | not like but is the true life, he adopts for the moment
31 Heian | the over-monasticising of life. In~paragraph continues]
32 Heian | being to see the whole of life as an embodiment of Godhead.
33 Heian | of thought every act of life became loaded with ritual,
34 Heian | the first three in actual life on earth, that is, Sakya-Muni.~
35 Heian | itself a triangle - for life, it is said, never completes
36 Heian | re-expression in the national life as emotion.~NOTES~Fudo. -
37 Fujiwa| own special forms, both in life and in ideals.~For the national
38 Fujiwa| peaceful and pure conception of life; and Komachi, the great
39 Fujiwa| great sad poetess, whose life exemplifies the loves and
40 Fujiwa| attainment of the Divine in this life. It was rather by the mercy
41 Fujiwa| and evils of this wretched life, they could evolve into
42 Kamaku| a new phase of Japanese life, whose main features continued
43 Kamaku| conception of the monk, as the life of any Indian woman to that
44 Kamaku| Guru, or giver of spiritual life, was here projected upon
45 Kamaku| instinctive note of early Japanese life. Were we not of the race
46 Kamaku| house of Minamoto, whose life recalls the tales of the
47 Ashika| since the fundamental law of life and progress~ ./. underlies
48 Ashika| underlying fire of modern life and speculation, was only
49 Ashika| conceived as the essence or life of a thing, the characterisation
50 Ashika| energy breaks forth anew. Life reasserts itself in the
51 Ashika| the great world-spirit. Life was microcosmic and macrocosmic
52 Ashika| and macrocosmic at once. Life and death alike but Phases
53 Ashika| going to a bridal feast. Life and art, as influenced by
54 Ashika| Beauty,~said they, or the life of things, is always deeper
55 Ashika| outwardly expressed, even as the life of the universe beats always
56 Ashika| is the guiding thread of life is also the law which governs
57 Ashika| constructive laws that give it life. Thus a great work by Sesshu
58 Ashika| stroke has its moment of life and death; all together
59 Ashika| idea, which is fife within life.~The two most prominent
60 Ashika| patrons of art, and the life of the age was conducive
61 Toyoto| for his panegyrics on the life of the day, were all artists
62 Toyoto| paint the common scenes of life, with no feeling of lowering
63 Toyoto| posing.~We find in Korin's life a pathetic story of his
64 Tokuga| vital spark from art and life. It was only their educational
65 Tokuga| academician. Meanwhile, the life of the people was entirely
66 Tokuga| the theatre, or in the gay life of Yoshiwara. And as their
67 Tokuga| in the delineation of gay life and in the illustration
68 Meiji | the religious and artistic life of the nation, as we have
69 Meiji | sole master of the jewel of life, both lost now and again
70 Meiji | obscure.~Japanese national life is centred in the throne,
71 Meiji | consciousness of her national life, was eager to clothe herself
72 Meiji | to find a new solution of life, and burst to the surface
73 Meiji | the new colour which the life of a modern nation forces
74 Meiji | and revivify the dormant life of the old Asiatic unity,
75 Meiji | nobler visions of human life which drew these nations
76 Meiji | individualism of Meiji, teeming with life in other cycles of thought,
77 Meiji | whose keynote should be "Life true to Self." This movement
78 Meiji | comedy, in the grand drama of life, of man, and of nature.~
79 Meiji | metal-work, are breathing new life throughout their wide domains.
80 Meiji | striving to attain to a higher life, which shall express the
81 Vista | THE VISTA~THE simple life of Asia need fear no shaming
82 Vista | barren of that religious life which is the essence of
83 Vista | power that is in the seed. Life lies ever in the return
84 Vista | is parching the throat of life and art.~We await the flashing
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