Part
1 Intro | antiquities of China and India. With regard to the latter
2 Intro | therefore, very surprising that India, divorced from spontaneity
3 Intro | Etruria, Phœnicia, Egypt, India, and China. In such a theory,
4 Intro | participates; even as in India, the whole nation combines
5 Intro | themselves she has depended upon India. It is his belief that her
6 Intro | developments in China? in India? For whatever influences
7 Range | and binding Cathay and India fast in mutual intercourse.~
8 Range | systolic centuries - in which India, crippled in her power to
9 Taoism| wall-paintings of Ajanta in India, and Horiuji in Japan.~Face
10 Buddhi| development. For Asia is vast, India itself larger than Europe
11 Buddhi| man bears to the race in India, can fail to understand
12 Buddhi| mountain ravine, through which India pours her intellectual torrents
13 Buddhi| Kwankokukwan, travelled~to India, and there reincarnated
14 Buddhi| great emperor who united India, and made the influence
15 Buddhi| visited~paragraph continues] India, till the reflux from Siam,
16 Buddhi| present stronghold.~Northern India and Kashmir, where immediate
17 Buddhi| with Orissa and Southern India, and that his immediate
18 Buddhi| first school worked.~In India the art of this early Buddhism
19 Buddhi| the post-Asokan period in India we find Buddhist art-activity
20 Buddhi| It may be said that in India, amongst both these classes,
21 Buddhi| Mahabharata. - The epic of "Great India," which sings of the war
22 Buddhi| province now known as Behar, India.~Nalanda. - The great monastery
23 Asuka | claiming to be from Central India. It is told of them that
24 Asuka | recorded to have come from India by way of Cochin China,
25 Asuka | wandering thinkers from India to China throughout the
26 Asuka | era,~when North-Western India was a central point between
27 Asuka | the Mussulman conquest of India, forcing this immense trade
28 Nara | liberalism and grandeur. In India the sixth century saw Vikramaditya
29 Nara | the imperial throne.~In India, too, there is a lull in
30 Nara | flow in that country. For India has carried and scattered
31 Nara | Yang-tse. Communication with India becomes more facilitated
32 Nara | in Loyang. One came from India, one from Japan, and one
33 Nara | represents the paper, you from India the radiating sticks, and
34 Nara | the same temper which in India made Yasovardhan and the
35 Nara | commentaries he, on his return from India, inaugurated the new school
36 Nara | Bodhi-ruchi of Southern India, further enforced the same
37 Nara | connection with its prototype in India; for many Indian artists
38 Nara | full Gupta type all over India. One would hope, however,
39 Heian | is no Maya after all. In India, while it may be that this
40 Heian | Amoghavajra, of Southern India, the latter having gone
41 Heian | latter having gone back to India in quest of such ideas in
42 Heian | origin of the school in India itself is obscure. There
43 Heian | knowledge on his return from India in 746. Its introduction
44 Heian | last phase is that known in India as jivan-mukti.~
45 Fujiwa| self-realisation. So, in India, also, Sankaracharya is
46 Fujiwa| corresponds to the Vaishnavism of India.~Both Genshin, the formulator
47 Fujiwa| Bhakti-type. He lived in Southern India in the twelfth century.
48 Ashika| under the influence of the India of the Guptas, during the
49 Ashika| of our own will which in India is called Gnan, or "insight."~
50 Ashika| which, while derived from India and China, is yet so closely
51 Meiji | towards the East.~We saw India, the holy land of our most
52 Meiji | nationalisation. China and India, not to speak of the artistic
53 Vista | Torn from their tradition, India, made barren of that religious
|