Part

 1 Intro |       Indianising of the Mongolian mind, was the process actually
 2 Intro |      within the reach of the human mind, - the longing desire of
 3 Range |          ideals which the Buddhist mind has from time to time revealed;
 4 Confuc|           natural to the Confucian mind. He sat in his palace, jade
 5 Confuc|          ceramics - had the Taoist mind not imparted to it its playful
 6 Taoism|           statecraft, the Southern mind produced great thinkers,
 7 Taoism|            product of the Yang-tse mind, ever seeking the expression
 8 Taoism|        another fruit of the Laoist mind that the first systematic
 9 Asuka |          outlandish to the Chinese mind, and sculptors like Taiando,
10 Asuka |           seemed that the Japanese mind, with its innate love of
11 Nara  |          that liberates the Indian mind in science, and which even
12 Nara  |         aims at complete fusion of mind and matter. The intellectual
13 Nara  |          at it with these facts in mind cannot fail to see the great
14 Nara  |          again, with her masculine mind, was further helpful to
15 Heian |           THE idea of the union of mind and matter was destined
16 Heian |            had taught the union of mind and matter, and the realisation
17 Heian |          the highest.~The union of mind, body, and word in meditation
18 Heian |          on the borderland between mind and body, the most important
19 Heian |            and ether understood as Mind, declaring that without
20 Fujiwa|           ideals.~For the national mind may be held, in the Heian
21 Kamaku|          now appeals to the public mind, through grosser representations
22 Kamaku|            by the Southern Chinese mind), that salvation was to
23 Ashika|             Similarly, the Chinese mind of the Shu and Hang dynasties
24 Ashika|        Occidental and the Oriental mind lead to differing expression,
25 Ashika|          whereas the later Chinese mind, as represented by the Neo-Confucians,
26 Ashika|        however,~through the Taoist mind, as shown in Chimpaku, that
27 Ashika|     Another tendency of the Taoist mind is the flight from man to
28 Ashika|       mirror in which the artistic mind could reflect itself. Thus
29 Ashika|           earlier creations. It is mind speaking to mind, a mind
30 Ashika|             It is mind speaking to mind, a mind strong and self-refusing -
31 Ashika|           mind speaking to mind, a mind strong and self-refusing -
32 Ashika|           simple.~That identity of mind and matter which had been
33 Ashika|        instead of disciplining his mind. The body is a crystal vessel,
34 Ashika|         Existence is to shine. The mind is like a great lake, clear
35 Ashika|       Indian trend of the Japanese mind released from Confucian
36 Ashika| self-control so typical of the Zen mind. Face to face with his paintings,
37 Ashika|            is a direct appeal from mind to mind, a mode by which
38 Ashika|         direct appeal from mind to mind, a mode by which unspoken
39 Toyoto|        whom rose sometimes a great mind that would form the design
40 Toyoto|     naturally, to their uncultured mind, the solemn and severe refinement
41 Toyoto|            creep into the artistic mind even then.~This school,
42 Tokuga|       immense power of the Chinese mind in breaking away from the
43 Meiji |         which enthral the Japanese mind, entwining dragon-like upon
44 Meiji |            activity of the Italian mind in the fifteenth and sixteenth
45 Meiji |     sacrifice, opened the artistic mind to a hitherto unknown side
46 Meiji |        modes in which the artistic mind moves, a plan of campaign