Part

 1 Intro |       conserving and extending their national inspiration. They hold proudly
 2 Intro |             the vital element in her national activity lies always in
 3 Range |   sand-ripple as it beat against the national consciousness.~paragraph
 4 Range |           highest and noblest of our national culture, so that, in order
 5 Primit|        clouds, thus intensifying the national spirit which clusters round
 6 Primit|            Asiatic civilisation.~The national genius has never been overwhelmed.
 7 Confuc|           correctly its choice, of a national system of chirography. It
 8 Confuc|              the Shu power. They had national schools, but only under
 9 Buddhi|           the other, the historic or national background, out of which
10 Buddhi|        legitimate development of the national school, whether seen in
11 Buddhi|           form into which the Indian national consciousness had been striving
12 Asuka |           the strict conservation of national customs. For the responsibility
13 Asuka |           all - thus epitomising the national life of Japan for thirteen
14 Asuka |               in this early phase of national realisation, seemed like
15 Asuka |            characterised by a purely national development of Buddhist
16 Nara  |             itself, to impress their national religion and art on Chinese
17 Nara  |             together became a single national completeness.~Buddhism,
18 Nara  |         however, that it is not mere national pride which finds in the
19 Heian |             and re-expression in the national life as emotion.~NOTES~Fudo. -
20 Fujiwa|              which may be termed the national, in contrast to the predominating
21 Fujiwa|          life and in ideals.~For the national mind may be held, in the
22 Ashika|             Ashikaga period that our national music emerges in its maturity.~
23 Ashika|          their consecration to great national themes of struggle and event,
24 Tokuga|             standing out against the national stream, he had shown a weakness,
25 Tokuga|             as such no embodiment of national fervour, in which all true
26 Tokuga|              fail to catch the truly national element in art, as their
27 Meiji |          tended to obscure.~Japanese national life is centred in the throne,
28 Meiji | interpretations. This element in the national~religion centres always
29 Meiji |              The second cause of the national reawakening was undoubtedly
30 Meiji |          Asiatic soil threatened our national independence. Through the
31 Meiji |            embassy of America, whose national policy opened our doors
32 Meiji |               a great rebirth of the national religion of loyalty, with
33 Meiji |     re-awakened consciousness of her national life, was eager to clothe
34 Meiji |         Orientalism, so dangerous to national independence, seemed like
35 Meiji |         natural outgrowth of the new national vigour, which has been working
36 Meiji |             tried to reconstruct the national art on a new basis, whose
37 Meiji |         contemporary vitality of our national aspirations. But the time
38 Meiji |            Tokugawas to suppress the national consciousness.~Adwaita idea. -
39 Vista |           the Asuka period, when the national destiny was first bestowed,
40 Vista |       liberated, in fact, into their national inheritance.~But to-day