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 1 Range |        workmanship. The temples of Nara are rich in representations
 2 Primit|            of the Kasuga style, in Nara. It imposed their feminine
 3 Primit|          tent.~The Kasuga Style in Nara. - The Kasuga style is a
 4 Buddhi|           occasion to touch in the Nara period-begins in the fourth
 5 Asuka |         until its final removal to Nara in 710 A.D. And it signifies
 6 Asuka |       twelve miles to the south of Nara, where the emperors had
 7 Asuka |         transfer of the capital to Nara, the whole place has fallen
 8 Asuka |            the Horinji temple near Nara was built close to the residence
 9 Nara  |                                THE NARA PERIOD~700 TO 800 A.D.~A
10 Nara  |           from Ujjain to Choan and Nara through the songs of Kalidasa,
11 Nara  |        inspiration of the Tâng and Nara sculptures.~The China of
12 Nara  |           now known as the town of Nara. This city became the great
13 Nara  |     therefore, that the art of the Nara period is reflected from
14 Nara  | completeness that makes the art of Nara the highest formal expression
15 Nara  |        second Asiatic thought.~The Nara period thus inaugurated
16 Nara  |         colossal Roshana Buddha of Nara, which is the largest statue
17 Nara  |            great Roshana Buddha of Nara, and then adds, "It is our
18 Nara  |       Amongst the seven temples~at Nara, which vied with each other
19 Nara  |           other Manyo poets of the Nara period.~The Empress Koken,
20 Nara  |       period.~The pictorial art of Nara - as seen in the wall-paintings
21 Nara  |         the imperial collection at Nara, painted on the leather
22 Heian |           removed in 794 A.D. from Nara to Heian, or Kyoto - as
23 Heian |           and temples of the early Nara period succumbed in the
24 Heian |     graceful Kwannon of Hokkiji in Nara.~In painting, the twelve
25 Heian |          at present in Saidaiji in Nara, with the Riokaimandara
26 Kamaku|        idealised perfection of the Nara and the refined delicacy
27 Kamaku|          Kegon sect in Kofukuji in Nara, and several others. Even
28 Kamaku|         great Nioo of Nandaimon in Nara. The fine bronze Buddha
29 Kamaku|           more abstract bronzes of Nara and Fujiwara.~Painting lent
30 Ashika|            to the beginning of the Nara era, however imbued with
31 Ashika|           the Tâng dynasty and the Nara period, and is destined
32 Ashika|       statues of the Sangatsude of Nara and the finished~glory and
33 Tokuga|          continuous ever since the Nara period. The inros, the netsukes,
34 Meiji |       amber twilight of idealistic Nara, now glowing with the crimson
35 Vista |   succeeding preliminary phases of Nara and Heian, to the revelation