Part

 1 Intro |               the William Morris of his country, we may also be permitted
 2 Intro |               With regard to the latter country, this is the first instance~
 3 Intro |            amongst the scholars of that country, and his distinction between
 4 Intro |              industrial features of his country's art which really form
 5 Primit|               of the Sun-Goddess on the country. It is situated in the province
 6 Confuc|               the best intellect of the country to the service of the state,
 7 Buddhi|             religious experience of his country. Northern Buddhism is thus
 8 Asuka |            others from the neighbouring country of the Gettaes, and an embassy
 9 Asuka |             statues of a certain border country as quite Chinese in type,
10 Asuka |               were already known in the country. Shibatatsu, of the Rio
11 Asuka |              may have been made in that country, or by some of the numerous
12 Nara  |            never ceases to flow in that country. For India has carried and
13 Nara  | specially-appointed body of judges. The country was opened up with a new
14 Nara  |                 in each province of the country, the sites of which are
15 Fujiwa|                the most powerful in the country, of the adherents of this
16 Kamaku|            fetters. The division of the country into feudal tenures, headed
17 Kamaku|         inquiring into the state of the country. These episodes give rise
18 Ashika|                 prince who reached that country as a monk in A.D. 520. But
19 Toyoto|               of the feudal barons. The country was in a constant state
20 Toyoto|               rival chiefs, leaving the country again at his death to be
21 Toyoto|              the daimyos throughout the country, so as to make it impregnable
22 Toyoto|                 daimyos imitated, every country castle being made a miniature
23 Tokuga|               from various parts of the country, and who were, in their
24 Tokuga|              students, returning to the country, to conduct their work there
25 Tokuga|               and in other parts of the country. Here it was, therefore,
26 Meiji |                any in the annals of our country, has had to be faced.~That
27 Meiji |              that epic narrative of the country from whose poetic pages
28 Meiji |               dangers which awaited the country, were it plunged rashly
29 Meiji |                nevertheless to open the country. to Western intercourse.
30 Meiji |         knowledge, which burst over the country so as almost to sweep away
31 Meiji |              the ancient customs of the country. But even they considered
32 Meiji |        contemporary art activity of the country.~According to this school,
33 Meiji |                 which the nature of the country imposes on war. Within and
34 Meiji |            years in wandering about the country in search of the materials
35 Vista |                 with the produce of the country, where every palace has