Part

 1 Intro |          as but a province of that ancient Asia to which scholars have
 2 Intro |          is an art, unlike that of ancient Greece, in which the whole
 3 Range |   Mohammedan conquest went, by the ancient highways~ ./. of the sea,
 4 Range |     thought, all speak of a single ancient Asiatic peace, in which
 5 Range |         fountain-head of their own ancient knowledge.~Thus Japan is
 6 Primit|         supposed to represent~more ancient human sacrifices at the
 7 Confuc|          of his desire to hear the ancient chants which were there
 8 Confuc| self-realisation was not yet born. Ancient ballads were collected by
 9 Confuc|            taken.~To these tyrants ancient Confucian scholars attributed
10 Confuc|           or Book of Change. - The ancient Scripture of China, which
11 Confuc|      matter and create work." This ancient Chinese Veda may be described
12 Confuc|            books or divisions.~The Ancient days of Taiko-bo. - Taiko-bo
13 Buddhi|       impermanent materials, as in ancient China. We find a trace of
14 Buddhi|           cherish the memory of an ancient glory, which they cower
15 Buddhi|          the shadow of~that common ancient style in which a deeper
16 Buddhi|       pilgrimage.~Rajagriha. - The ancient capital of Magadha, before
17 Asuka |        Loyang, which is so rich in ancient~ruins. It is recorded that
18 Asuka |             clung naturally to the ancient notions, in defiance of
19 Heian |           the transformation of an ancient sacrifice of blood into
20 Kamaku|          applied to certain of the ancient texts, which consist of
21 Meiji |            gaze backwards over its ancient history. Fine historical
22 Meiji |           study of purely Japanese ancient literature came into vogue,
23 Meiji |        unravelled the mysteries of ancient civilisations, through the
24 Meiji |      discarding the raiment of her ancient past. To cut away those
25 Meiji | institutions was committing on the ancient customs of the country.
26 Meiji |         inquiry and the revival of ancient letters led art back to
27 Meiji |           hitherto unknown side of ancient art, just as Greco-Roman
28 Meiji |  preservation and imitation of the ancient masters, led by the Bijitsu
29 Meiji |            of the possibilities of ancient Japanese art, and aiming
30 Meiji |          and Sung masters in their ancient purity, together with the
31 Meiji |           of the Kyoto School.~The ancient spirit of race-myths and
32 Meiji |        solar significance, and the ancient ballads also, both of China
33 Vista |            the death-agony of that ancient dignity~and ethics which
34 Vista |       build up Asia again into her ancient steadfastness and strength.
35 Vista |            Asia herself, along the ancient roadways of the race, that