Part

 1 Primit|       delicate curves of the Kasuga style, in Nara. It imposed their
 2 Primit|             every twenty years. The style is suggestive of development
 3 Primit|          suggest a tent.~The Kasuga Style in Nara. - The Kasuga style
 4 Primit|         Style in Nara. - The Kasuga style is a development of the
 5 Primit|           development of the Shinto style of Isé and Idzumo. It is
 6 Confuc|          they who first~assumed the style and title of emperors. In
 7 Confuc|     dynastic changes.~The pictorial style of the Hângs is, of course,
 8 Confuc|              who worked in the Hâng style, as their mirrors, horse-trappings,
 9 Taoism|             dream of the great lost style of the Greeks in painting, -
10 Taoism|          Greeks in painting, - that style which was theirs before
11 Taoism|         infer and reconstruct their style from those of the succeeding
12 Buddhi|       shadow of~that common ancient style in which a deeper and better-informed
13 Buddhi| Indo-Chinese art, very different in style from that of the North.~
14 Asuka |            were constructed, in the style of Roman architecture and
15 Asuka |          ascribes the origin of the style to the influence of a Chinese
16 Asuka |            than an enforcing of the style of sculpture evolved by
17 Asuka |            far as we know, the Hang style, in features, drapery, and
18 Asuka |      excellent specimen of the Hâng style.~An embroidery, representing
19 Asuka |          also specimens of the same style.~NOTES~The dates which divide
20 Nara  |             lotus daïs in the usual style, and as it is cut out of
21 Nara  |         different from the Buddhist style, both in spirit and in execution,
22 Fujiwa|            with the classic Chinese style of the scholars, the vernacular
23 Fujiwa|             epoch. Men imitated the style of these ladies, for this
24 Toyoto|        decoration of palaces in~the style of Ming, rich with decadent
25 Toyoto|       artists call now the Momoyama style. Momoyama was the Versailles
26 Tokuga|           trying to formulate a new style by illustrating the popular
27 Tokuga|             tried to~revive Korin's style, and Shohaku, who, with
28 Tokuga|             and earlier Manchu-Shin style, which had been inaugurated
29 Tokuga|       formalism of the Gen academic style imposed during the Mongol
30 Tokuga|            Chinese traders this new style, already~hardened into mannerism
31 Tokuga|      combine the~new methods with a style of his own. He was an ardent
32 Meiji |         Chokaro combines the strong style of Sesshu with the broad