Part

 1 Intro |        their means influencing the development of sculpture, painting,
 2 Intro |           affinities of the Indian development are largely Chinese, but
 3 Range |        various school of religious development which has come in its natural
 4 Range |            particular phase of its development means to deal with infinite
 5 Range |            But the whole trend and development of the Hângs grew to be
 6 Primit|         The style is suggestive of development from the architecture of
 7 Primit|              The Kasuga style is a development of the Shinto style of Isé
 8 Confuc|          the germ of the Confucian development. From this moment, lost
 9 Confuc|           of their own progressive development, to receive periodically
10 Confuc|         shown in its extraordinary development of textiles and~ceramics -
11 Buddhi|    describe in their true order of development. For Asia is vast, India
12 Buddhi|         Indian thought which was a development of the Upanishads, and the
13 Buddhi|      remaining always a legitimate development of the national school,
14 Buddhi|             on whose Sino-Japanese development we shall have occasion to
15 Asuka |            influence upon Japanese development of that original stream
16 Asuka |  philosophy of which Buddhism is a development.~The tree of Buddhism was
17 Asuka |            victims of an "arrested development."~The artistic attempts
18 Asuka | characterised by a purely national development of Buddhist art and philosophy,
19 Nara  |            to share in the general development of the new form of the Northern
20 Heian |        find a new wave of Buddhist development, called the Mikkio or Esoteric~
21 Heian |            shortcomings of his own development. Architecture, sculpture,
22 Fujiwa|          A.D. With it begins a new development in Japanese art and culture,
23 Fujiwa|  Confucianism, from the unbalanced development of any single motive to
24 Fujiwa|        religious affairs.~This new development is marked in letters by
25 Kamaku|            is characterised by the development in full form of the notion
26 Ashika|            to distinguish the past development of art, though lacking perhaps
27 Ashika|        ideal of the first Northern development of Buddhism, still falls
28 Ashika|           Zenism, therefore, was a development, and the inheritance which
29 Ashika|      without some reference to its development of music, for nothing is
30 Ashika|          epoch also found dramatic development later, in representations
31 Tokuga|        apart from the main line of development of Japanese art, whose evolution
32 Meiji |           For at that point in its development the West also had to grapple