Part

 1 Intro |           but that great life of the ideal by which it is hardly known
 2 Range |              The grandeur of Asoka - ideal type of Asiatic monarchs,
 3 Range |               which reflect the Tâng ideal under the régime of the
 4 Confuc|     passionate effort to realise the ideal of harmony that absorbs
 5 Confuc|             a day.~Yet the Confucian ideal, with its symmetry born
 6 Buddhi|         legends, and to beautify his ideal personality.~In the post-Asokan
 7 Buddhi|           This is an allusion to the ideal of Brahminhood, which is
 8 Asuka | contemplation of, and prayer to, the ideal Buddha in the Western heavens.
 9 Asuka |             greatness of that Indian ideal which is to pervade them
10 Asuka |              seemed like an abstract ideal, unapproachable and mysterious,
11 Nara  |          becomes akin to the classic ideal of the Greeks, whose pantheism
12 Heian |              the world itself as the ideal world. There is no Maya
13 Fujiwa|           apprehension of the Indian ideal. And~ ./. now, according
14 Fujiwa|             draws closer in the Jodo ideal of the Fujiwara epoch than
15 Fujiwa|             the Kingdom of Amida, or ideal Mercy, the Kwannon of Seishi,
16 Fujiwa|            the Kwannon of Seishi, or ideal Power, and the twenty-five
17 Kamaku|          bringing to birth the great ideal of the Samurai, whose raison
18 Kamaku|            of this new age. The Jodo ideal now appeals to the public
19 Kamaku|       knightly class, adopted as its ideal the teaching of the Zen
20 Ashika|       however imbued with the purest ideal of the first Northern development
21 Ashika|              to seek the Romantistic ideal objectively and materialistically;
22 Ashika|             the Oriental Romantistic ideal - that is to say, the expression
23 Ashika|             evolving and culminating ideal of the pre-Fujiwara periods
24 Ashika|               insight."~The Ashikaga ideal owes its origin to the Zen
25 Ashika|             the polar star - was the ideal of the Ashikaga knight.
26 Ashika|           essential trait of the Zen ideal. It is as if to him the
27 Toyoto|            to return to the Ashikaga ideal. His court painters - Tannyu
28 Meiji |          ferment. One is the Asiatic ideal, replete with grand visions
29 Meiji | self-development. Art is neither the ideal nor the real. Imitation,
30 Meiji |             the demonstration of the ideal, is deemed a sufficient
31 Meiji |      expression, present their grand ideal vistas, yet to be trodden