Part

 1 Intro |    Japan, and finds free living expression in her art. And this Asiatic
 2 Intro |        means and method of this expression Japan has~ever owed to China;
 3 Intro |        that her great epochs of expression have always followed in
 4 Range |        us, as elsewhere, is the expression of the highest and noblest
 5 Confuc|      called for a new and grand expression in the Asuka Period. The
 6 Confuc|     later, to lift it up to the expression of commanding ideals. But
 7 Taoism|        The Return" was the very expression of the times. It is through
 8 Taoism| Yang-tse mind, ever seeking the expression of the soul in Nature.~Freedom
 9 Taoism| structural composition and line expression, though it has added to
10 Taoism|       painting lies only in its expression or accentuation of outlines
11 Buddhi|        extraordinary scientific expression. It must be understood that
12 Asuka |        that idealised purity of expression which characterises the
13 Asuka | wonderful for its tenderness of expression and beautiful proportions,
14 Nara  | pantheism led them to a similar expression. Sculpture is, par excellence,
15 Nara  |         Nara the highest formal expression of the second Asiatic thought.~
16 Heian |   attaining the female form, in expression of the Indian thought of
17 Ashika|      Praxiteles, are its purest expression. This phase is manifested
18 Ashika| Oriental mind lead to differing expression, the modern idea of the
19 Ashika|        of the fact that we seek expression in opposites. This innate
20 Ashika|     ideal - that is to say, the expression of the Spirit as the highest
21 Ashika|         and strength. The first expression is always in emotion, the
22 Ashika|        to all forms of artistic expression, for thus was the spectator
23 Ashika|   foreign elements, and to make expression as simple and direct as
24 Tokuga|    School, which was their only expression, though it attained skill~
25 Tokuga|       thus to a narrow round of expression. It was due to the freer
26 Meiji |      years ago. Such books gave expression to a passionate worship
27 Meiji |         and the method of their expression grow wider under this new
28 Meiji |    grace of Maruyama, to afford expression to an interpretation of
29 Meiji |       also~struggling for a new expression, present their grand ideal