Part

 1 Range |   redeem the lowest of the low.~Hâng Workmanship - Tâng Culture -
 2 Range |         the first Napoleon.~The Hâng Dynasty (902 B.C. to 220
 3 Range |      elements of Indian and old Hâng music. It is played by a
 4 Primit|         the matured arts of the Hâng dynasty of China, which
 5 Confuc|        century, was that of the Hâng and the Six Dynasties of
 6 Confuc|         Six Dynasties of China.~Hâng art was itself the natural
 7 Confuc|         their short empire.~The Hâng dynasty (202 B.C. to 220
 8 Confuc|         an integral part of the Hâng consciousness, with its
 9 Confuc|       to the latter part of the Hâng dynasty. These fresco-sculptures
10 Confuc|        dolmens. For we received Hâng art from China, and were
11 Confuc|     artisans, who worked in the Hâng style, as their mirrors,
12 Taoism|       late as the period of the Hâng dynasty. But, gradually
13 Taoism|         and the Confucianism of Hâng seemed likely to prove fatal
14 Taoism|          towards the end of the Hâng period, in the freedom and
15 Taoism|         kingdoms into which the Hâng dynasty divided - thus lessening
16 Taoism|         elaborate metres of the Hâng poets.~Every one will remember
17 Taoism|         to the present day.~The Hâng emperors, too, were not
18 Taoism|       which Hanchow, one of the Hâng generals, brought back as
19 Asuka | scripture. In 64 A.D. Meitei, a Hâng Emperor, dreamt of a huge
20 Asuka |           for China, during the Hâng period, claimed sovereignty
21 Asuka |         the Chinese garb of the Hâng period of art, and this
22 Asuka |        statues we find the same Hâng type that we noticed in
23 Asuka |         which characterises the Hâng type as it appears in Buddhist
24 Asuka |         adheres strictly to the Hâng type of the period. Besides
25 Asuka |       excellent specimen of the Hâng style.~An embroidery, representing
26 Fujiwa|       two chief capitals of the Hâng and Tâng dynasties. In this
27 Meiji |        scholars returned to the Hâng commentators, and an age