Part
1 Intro | year 1886, to study the art history and movements of Europe
2 Range | interchangeable sciences. If the history of Delhi represents the
3 Range | rank of a modern power.~The history of Japanese art becomes
4 Range | Japanese art becomes thus the history of Asiatic ideals - the
5 Range | laughter of a race.~Any history of Japanese art-ideals is,
6 Range | of the periods of Chinese history might run as follows: - ~
7 Primit| conjecture.~The dawn of history reveals them as a compact
8 Primit| is the only occasion in history on which the rulers of China
9 Confuc| being the first sovereign in history to publish an edict abolishing
10 Confuc| of Chinese mythology and history, and show the life and customs
11 Taoism| of painting and the first history of painters were begun in
12 Buddhi| centuries before Christ, and its history is still the heroic feature
13 Asuka | the sixth century.~This history of the long succession of
14 Asuka | the Asuka temple, which history reports to~have been cast
15 Asuka | dates which divide Japanese history having been somewhat generalised
16 Heian | In that epoch in Japanese history which is known - from the
17 Fujiwa| any other moment in its~history. The strict and masculine
18 Ashika| underlies not only the history of art as a whole, but also
19 Toyoto| the emperor resided. The history of the whole period is simply
20 Meiji | backwards over its ancient history. Fine historical works appeared
21 Meiji | them Dainihonshi, or "The History of Mighty Japan," compiled
22 Meiji | heart-rending to read the history of those pioneers of Western
23 Meiji | away the landmarks of its history. At this moment Japan, in
24 Meiji | holds a unique position in history, having solved a problem
25 Meiji | of the materials for his history, which were rendered difficult
26 Vista | instinctively that in our history lies the secret of our future,
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