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1 Intro | this work on Japanese Art Ideals - and the future author,
2 Intro | contention, however, that for the ideals themselves she has depended
3 Intro | disintegration of taste and ideals which is coming about in
4 Intro | Japanese art a recrudescence of ideals parallel to that of the
5 Range | THE RANGE OF IDEALS~ASIA is one. The Himalayas
6 Range | dwell on all phases of the ideals of the past, in that spirit
7 Range | thus the history of Asiatic ideals - the beach where each successive
8 Range | philosophy; the different ideals which the Buddhist mind
9 Confuc| diamond, the antithesis of ideals, the two poles, of the decorative
10 Confuc| Hângs - who spread Confucian ideals as the Romans did Hellenic
11 Confuc| expression of commanding ideals. But even if it had remained
12 Taoism| art-expression of their own loves and ideals, in forms widely divergent
13 Taoism| opposed to the Confucian ideals. Here, for instance, Kampici,
14 Taoism| when blended with Buddhist ideals in the great liberalising
15 Nara | who represent the poetic ideals of these three rival conceptions,
16 Fujiwa| forms, both in life and in ideals.~For the national mind may
17 Fujiwa| revival of purely Yamato ideals, for~the administration
18 Fujiwa| succumbed to the habits and ideals of the Fujiwaras, so as
19 Meiji | religion, they sought the new ideals of the West, blazing as
20 Meiji | preserves the Chinese and Indian ideals in all their purity amongst
21 Meiji | to return to our own past ideals, but also to feel and revivify
22 Meiji | as specimens of great art ideals.~The art which reached us
23 Meiji | detracting from its own nature. Ideals, in turn, are the modes
24 Vista | Yamato genius, of Indian ideals and Chinese ethics; through
25 Vista | democratising of the great ideals. The populace and the lower
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