Part

 1 Intro |     spontaneity by a thousand years of oppression, should have
 2 Intro |   enough, within the last ten years, by the genius of a wandering
 3 Intro |      period. For six or~seven years past, it has been sending
 4 Intro |  process that took a thousand years at the beginning of our
 5 Primit|   original form, every twenty years. The style is suggestive
 6 Confuc|      lasted some five hundred years, when it was weakened by
 7 Confuc|       during some six hundred years. These were Mongolian herdsmen,
 8 Confuc|        which raged for twenty years, during the downfall of
 9 Confuc|       short reign of fourteen years his coins reached all parts
10 Asuka |       and lay behind it three years to hear the remark of the
11 Asuka |  migrated to Japan thirty-one years before this event, and his
12 Asuka |     images and sculptures ten years later, and in spite of conservative
13 Nara  |     of the same temple thirty years later, undoubtedly the finest
14 Nara  |   Tokugawa period two hundred years ago, when sculpture was
15 Nara  |      of nearly twelve hundred years ago. Glass goblets, enamelled
16 Fujiwa| anticipates, by seven hundred years, Madame Scudery's witticisms
17 Fujiwa|      long campaign of fifteen years won the hearts of the uncivilised
18 Kamaku|   career begins about fifteen years after the disappearance
19 Toyoto|    anticipates by two hundred years some of the most striking
20 Tokuga| resided in Nagasaki for three years, and laid the foundation
21 Meiji |    new age, whose thirty-four years have passed, bringing each
22 Meiji |      Prince Mito, two hundred years ago. Such books gave expression
23 Meiji |       century, and spent many years in wandering about the country